It should've been a movie to begin with. This slop is just a walking simulator that midwits think is deep
Video game MOUTHWASHING is getting a movie adaptation, with Karyn Kusama directing for Sony.
Scott Derrickson will produce.
Mouthwashing was one of Bloody Disgusting’s 10 Best Video Games of 2024.
In the game, crew members are stranded aboard a space freighter.
Source: @THR
The prequels are the epitome of being a "space opera" and saying they fail at realism as if that was ever something Star Wars was going for is such a hilariously dumb boomer take
They fail at being epic operas even more than they fail at realism. The writing and acting is mostly flat and boring. Same goes for the cinematography. There’s nothing operatic about it. Epic perhaps in theory but certainly not in execution. You guys have created a version of the Star Wars prequels in your heads (a version that sounds pretty interesting, if only it existed) and have grafted it onto the actual films which in reality fail at whatever they were trying to do, unless they were trying to be verbose, clumsy, wooden, and bland.
It’s very clear to the rest of us that the people trying to rehab the Star Wars prequels are just nostalgic for something that they enjoyed as kids. That’s fine. I have a nostalgic attachment to some crappy 90s movies like Independence Day for example. It came out when I was 10 and at the time it seemed to me like the greatest cinematic achievement in history. But then I grew up and I can now see that Will Smith punching an alien and saying “welcome to earf” is not a high point of western art. And that’s fine. It’s stupid but I still remember it fondly. You don’t have to try so hard to intellectualize some dumb bullshit you liked when you were a kid. It’s okay. It can just be dumb bullshit, which it is.
A good example of this was the whole PrequelMemes phenomenon. Millenial redditors were too embarrassed to admit they like the prequels so they had to do it "ironically" and post memes about them.
IS THAT A HECKIN 50'S DINER IN MY SERIOUS SPACE OPERA?!?! OH MY PLINKETT I'M LOSING MY MIND!
Replying to @WayneS0L0
It had a fucking 1950's Americana diner.
From the United States of America.
And the short-order cook knew intricate details of obscure galactic weaponry the Jedi Archives didn't.
Everything about the movie was stupid.
Gen X and older millenials hated the prequels and even Sam Raimi's Spider-Man trilogy because they hated sincerity. There's a reason the same critics of those ate up the MCU movies that were embarrassed of what they were and constantly had to make self deprecating jokes.
People dismissed Lucas as a hack that couldn't work with actors when he was intentionally going for an older style they weren't familiar with
Who doesn't love the modern trend of taking simple stories and making them unnecessarily long and convoluted. Oh and make sure to leave a cliffhanger ending at the end!
The chungus gen x and millenial nerds seething about this are just proving Doomer right
The prequels were made with an audience of children in mind and these idiots still can't follow the plot. Then again Jack thinks Lord of the Rings isn't Christian and is "overtly pagan" so he isn't exactly the sharpest tool in the shed.
Replying to @MattWalshBlog
The script is awful and plot makes no sense and is completely inconsistent with the originals
Stumbled upon this old video of HelloGreedo being super enthusiastic about JJ Abrams directing and writing Star Wars where he claims that George Lucas never understood what made his own creation so special but JJ Abrams gets it!
youtube.com/watch?v=IGB6-1Ed…
Wow I can't believe George Lucas had more on his mind other than making movies about Darth Vader being badass!
No.
The Star Wars Prequels were hated because we were quite literally promised at least one or more movies about Darth Vader.
Darth Vader in the helmet and cape doing the iconic, menacing breathing.
Darth Vader fighting Jedi. Darth Vader enslaving Wookies. Darth Vader striding around and being a general all around badass.
That was the promise. That was what all the advertising was about leading up to The Phantom Menace. (1999).
Lucas welched on the deal.
Instead we got podracing, fart jokes, and a creepy romance with 17-year old Natalie Portman and 8-year old Jake Lloyd.
Rob Ager is one of the better film analysis channels but his suggestions here are just unnecessarily convoluted and miss the point on why Lucas made the story the way he did. As always George knows best!



































