@rrserred
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animator/filmmaker. half devil and half child. pax quaeritur bello.
Purrsia
Joined October 2011
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Hi, I’m hot. You should #StandWithAnimation by watching my animated short film on Youtube~
JUDITH 🗿🇬🇱 retweeted
Michelangelo Antonioni - Framing Isolation
Abandoning conventional narrative drive, the Italian master pioneered a radically quiet aesthetic, using precise framings, vast empty spaces, and indifferent architecture to capture characters adrift in search of existential meaning.
JUDITH 🗿🇬🇱 retweeted
35mm.online/en/vod/animation… (07:37)
POŻAR (Fire) {1975, Witold Giersz; Poland}
JUDITH 🗿🇬🇱 retweeted
カルト的人気を誇るゴシック・ファンタジーには、アニメーション版も存在。しかも結構出来が良い。美術や雰囲気も魅力的だ…。
※作品名『Viy』。実写版は『妖婆 死棺の呪い』の邦題でも知られる。
JUDITH 🗿🇬🇱 retweeted
About 700 years ago on Marco Island, a Calusa artist carved this deer head from wood, painted it blue, black and white, inlaid the eyes, and attached the ears so they could actually move on cords.
Ancient Florida had moving wooden masks.
No one is actually in a dedicated "part of twitter" containment space no matter who you follow or block. Forum nostalgia also forgets that many of them had power tripping mods and jannies. It wasn't all rainbows
I think it’s more to do with cartoon media can be played back in addition to being very impressionable, so it’s easier to indulge oneself instead of seeking intimacy with others. We definitely need a new volume of Krafft-Ebing that covers all this.
“aw gee doesnmt it suck that we have to be skeptical of every artist’s content because AI??” is starting to sound like those suburban women who think they’re being gangstalked by human traffickers. It’s just neo-virtue signaling.
Most arts funding specifically looks for impact stories (from underrepresented communities no less) so no, that edgy chopped tits dead baby stuff really doesn’t fly
You can find that sort of sign of the end times sentiment anywhere and in any decade. The actual fascinating part has more to do with pictures of these open spaces being viewed on screens rather than people moving through them physically.
Everyone talks about how they miss 22-26 23 minute episodes a season but nobody ever talks about how they miss scenes structured around commercial breaks.
Underexplored effect of the attacks is how it gave people permission to be sincere and even provided a template wrapped in stars and stripes. Now we conflate displays of hyper-emotion, like screaming at the sky, with sincerity and “doing something.”