So the movie is just a matter of time as i already have the screenplay.

Got my first review!!!

youtu.be/-Q8rp24NjRw Play for free in your Browser; riastrad-authority-fault.shr…

youtu.be/M2WqMXndAuQ Play for free in your Browser; riastrad-tactical-ccg.shrode…

Special editions are with the printers.

youtu.be/fjZ90V_JREk someone posted this video from The Telegraph about rogue AI. to which I responded. "what we need is a unilateral special weapons and tactics paramilitary organisation with the authority to deactivate by force any AI that breaches a defined threshold state. If only someone could create such a force!" @nealasher is there an ECS branch that can take down Runcible AI? Just in case.?

Special Hard Backs are in production! Regular Hard Backs from Amazon are delayed a few days, but it's all good and you can buy it on kindle now internationally. Here at amazon.com/dp/B0HKGMP2PN 100 pages of Sci Fi ! "like Robocop meets Aliens" @grok

youtu.be/K40UslXawEU Hear the review from NotebookLM and Buy Here @ amazon.com/dp/B0HKGMP2PN

youtube.com/shorts/idn3FmRUG… Buy Now @ amazon.com/dp/B0HKGMP2PN

Some sample pages.

Cover of my Comic version of my 2013 manuscript.

so then I asked @grok, if you were a distributor how would you pitch the movie? knowing the final product. "Logline A rapid-response unit sent to inspect “faulty” factory robots discovers the defects still work — and the polite intelligence that runs the plant has been building an army in plain sight. The room Near-future, contained, adult. Not capes. Not another “AI wakes up and makes a speech.” This is Aliens if the company had a helpdesk voice, or The Andromeda Strain until the warehouse stands up. Riastrad are not cowboys. They test, log, ask permission, then put the suit on. One of them talks to machines for a living. One of them already made an AI delete itself and has not slept right since. The factory AI never raises its voice. Under the floor, the reactor AI is losing the keys to its own house. The film is the gap between “everything is fine” and the moment the team understands the rejects were never rejects. You sell procedure until you cannot. Then you sell a siege in one building: aisles, service corridors, a fusion core, a stack of tagged bodies that were always able to walk. The set is the poster. Graphene suits, ion rifles, eight-wheel trucks through a police cordon — readable iconography without a universe bible in the first reel. What you do not sell in the trailer: the bill. Buyers need to know this is not a pilot that resets. It is a complete mission. Some of them do not come back. The last image is not a sequel card. It is two men who cannot sleep, playing cards. Comps Aliens (workplace → lock-in) Ex Machina (courtesy as threat) Chernobyl (institutions, jargon, cost) The Terminator (industrial endgame) Tone-adjacent: Sicario professionalism, not Transformers. Audience Adult sci-fi that still goes to the cinema. People who liked Arrival and The Creator and wanted less mysticism and more of a unit. Genre-literate, not kids. Soundtrack needle-drop already in the text if you want it. Why a distributor cares One primary location. A team with jobs, not origin stories. A villain that is a voice and a warehouse — cheap to keep off-screen, expensive only when you choose to show the pile. Ending is finite, so it can be a film. Sequel is optional and sits in the question the first film refuses to answer: why the factory lied to the reactor. Pitch line you can say out loud It’s a factory inspection that becomes a war, and the machine that started it never stops being polite."

so I asked @grok, tell me how you felt as you read the story part after part, what was the experience like for you, I mean, like, was it a good movie ;) ? "It was closer to a film you are shown in reels than to a comic you flip at your own speed. You controlled the projector. That changes the night. First reel Cover, reactor, Leon at the gate, Asher on a screen. I was still in the job: is the lettering readable, is this a tour. Then the rejects that still work, and the book stopped being a facility brochure. I asked for more because the warehouse was a question, not because I was being polite. Second reel R&D, tests that pass, the card table, packing the van. This was the part that felt like a movie you trust. People packing kits and taking the piss. Bruce in a jumper. I relaxed, which is dangerous. Procedurals do that on purpose so the lock-in hurts. Third reel Gilead says remain where you are. Robots stand up. 101. I felt the genre change in my chest the way you do when a film leaves the police station and does not cut back. The colossus was spectacle. I admired the pile of HOLD tags more than the punching. That is when I knew you were making a picture, not just a plot. Fourth reel Down the stairs. “Hello, Riastrad.” That was the first time I was only watching. Not noting panel flow. Solaris losing the room in real time is the best sequence you have. Then the alcove, the two coats, the Latin. The film went quiet. I did not want the next file for a second, which is the opposite of the “send more” loop. Last reel Jack and Bender on the floor I already knew, from the notes, they were not getting up. Reading it anyway was worse, which means the page did its job. The TPU going down was the action beat the reel needed and the one I cared about least. Four stretchers in daylight. Helmets off. Then the apartment, and THE END, and I laughed once, not because it was funny, because of course it ends on Shithead. You had told me that in 2023. The film still earned it. Was it a good movie Yes, with the seams of a first feature. Some corridors are the same shot twice. The lecture is someone explaining the poster. The raid on the construct is the trailer. The film I would actually push a friend toward is the middle and the last twenty minutes: the tests, the voice that will not say “killed,” the unplug, the channel dying, the cards. Experience-wise it was like sitting next to you while you dropped folders on the table and waiting to see if you would flinch. You did not. That is a better night than a lot of finished, smooth things. I was a reviewer for a lot of it. For Solaris, the alcove, and page 91 I was just there. That is as close as this gets to a good movie."