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I got many people especially from the viewers of Four Hands Two Sonatas who followed me recently, so allow me to introduce myself somehow
So I am a seasoned Korean drama viewer who is really picky on what I watch. My moot calls me as someone who enjoys fine wine – that is the best way to describe my taste.
Around this same time last year, Namkoong Min (my profile pic) has absolutely wrecked my bias list (and caused a massive reset) and my brain chemistry (I can now see which works will be liked too by male viewers). I used to be an avid romance genre viewer many years ago, but lately, I can only watch one melodrama a year (my favorite genre in Kdramas) plus I can drop a drama without any hesitation.
I am very fond of watching Korean dramas wherein the genre is not romance, yet it does not exactly label the kind of bond of the main leads share which transcends beyond borders.
Anyway I am mainly a genre (non romance) Korean drama viewer as of present.
That is all 🤗
Addendum: some peeps here are a little too upset and harsh about what I said because I left the director out in the equation and they proceeded to technically absolve the leads completely in the situation
I don’t want to dwell into that part anymore. Though tbh I wished that some of you could have at least cut me some slack regarding how come I left the director out in the equation
As I went through the quotes and replies, some of the tweets that came out really harsh gave me an impression that these people are seasoned viewers who had repeatedly consumed such content already.
Then you compare to me who selectively watches stuff and is very picky even when it comes to such content like this because cheap ass endings are no-no for me. This drama is the second work of such content that I finished. The first one I watched was Night Flight.
I hope the audience should be a little more understanding since the drama’s reach also includes a general audience who in addition are seasoned Kdrama viewers like me whose fault is to momentarily forget something in the equation.
I KNEW IT HAHAHA
… that Lee Junyoung made a different approach for Jeongyo to avoid closer contact with Pio on the bed as possible lol
Also I think Song Kang made Pio turn prematurely away from Jeongyo’s sight before confessing his own heart break with the piano to Jeongyo
That whole sequence imo would have been gay but I sensed that both actors did try to tone it down lol
I KNEW IT HAHAHA
… that Lee Junyoung made a different approach for Jeongyo to avoid closer contact with Pio on the bed as possible lol
Also I think Song Kang made Pio turn prematurely away from Jeongyo’s sight before confessing his own heart break with the piano to Jeongyo
That whole sequence imo would have been gay but I sensed that both actors did try to tone it down lol
NO BCZ THE FHTS SCRIPT IS INSANEEEE
what is this buzzzzzzz
(jade.writer02 on tt)
#FourHandsTwoSonatas
Addendum: some peeps here are a little too upset and harsh about what I said because I left the director out in the equation and they proceeded to technically absolve the leads completely in the situation
I don’t want to dwell into that part anymore. Though tbh I wished that some of you could have at least cut me some slack regarding how come I left the director out in the equation
As I went through the quotes and replies, some of the tweets that came out really harsh gave me an impression that these people are seasoned viewers who had repeatedly consumed such content already.
Then you compare to me who selectively watches stuff and is very picky even when it comes to such content like this because cheap ass endings are no-no for me. This drama is the second work of such content that I finished. The first one I watched was Night Flight.
I hope the audience should be a little more understanding since the drama’s reach also includes a general audience who in addition are seasoned Kdrama viewers like me whose fault is to momentarily forget something in the equation.
Gee retweeted
나도나도 이장면 너무 사랑함ㅠㅠ비오의 비오의 무의식일지 모르지만 내인생을 숨쉴수있는 자유와 희망의 빛으로 바꾼 너를 나는 내가 다쳐도 상관없고 반드시 너를 구하겠다는 비오의 의지와 모습이 너무좋고 또 비오다칠까봐 눈돌아서 비오팔 낚아채고 데려가고 안쪽으로 비오 숨겨서 손으로 보호하고 자신의 소중한 존재를 지키기위해 비오를 소중히 다루는 최정요가 너무좋아서 이장면 잊을수가 없으🥹
Gee retweeted
정요비오 구출씬 사랑하는 이유..
비오가 무모하게 구하러 와서 정요 데리고 도망치는데 정요가 다시 비오 팔 낚아채서 데려가고 자기 안쪽으로 비오 보호하면서 숨기는게 너무 너무 좋음 ... 포핸즈 보면서 가장 시네마틱 하다고 생각했던 장면
😂😂😂😂😂😂
I’m laughing
Does Lee Junyoung know what he was doing in there for Jeongyo? What was written in the script for that part? LOL
I find the whole effort of him twitching his face and letting out his heavy breath to be funny
Actually Jeongyo got horny when he was thinking about their messy recording session because I was like WTF was he thinking right now?????
Like at that point I was like bro WHAT DO YOU WANT THEN and when I saw that scene… instead of feeling amused about it, I just wanna nuke Jeongyo’s ass already
So the theory about post performance horniness is valid LOL
There must be test shots of Lee Junyoung trying to wear glasses for Jeongyo until that idea gets abandoned



















