Sonic splitter @AudioshakeAi. Xoogler. Author of The Big Disruption. Fiction in @nytimes @VICE @WIRED. Mostly noise, some signal.
San Francisco
Joined April 2008
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jessica powell retweeted
Someone made a site that tracks what people are talking about at public city council meetings across the US.
The only thing discussed more than data centers?
Pickleball courts.
jessica powell retweeted
THE INTERNET IS DEAD! I made a plugin that lets your computer sing to you. I used it to make this song. You can try it yourself, it's opensource and free: songaday.studio/plugins
bid on the 1/1:
songaday.world/6501
jessica powell retweeted
Most audio in the world was never recorded on separate tracks.
@themoko breaks down source separation on @Dell's #ReshapingWorkflows with @LoganatDell, starting with how we pull vocals, instruments, or a single speaker out of a finished mix.
jessica powell retweeted
Dialogue RT isolates dialogue from a live feed in 11 ms end to end ā measured model input to isolated output.
That's not noise suppression. It's two stems: dialogue, and everything else.
On NVIDIA DGX Spark and Blackwell architecture GPUs. audioshake.ai/post/isolatingā¦
jessica powell retweeted
Four days at IBC, hundreds of conversations. The question we heard most:
āCan it run on the feed, not the file?ā
Answer: yes. Live, less than 11 milliseconds. Another great year in the books.
jessica powell retweeted
Here's where to find us at IBC all week!
AudioShake ā 14.F46 (live Dialogue RT demos)
AI-Media ā 5.C34
Dell ā 14.D43
Ortana ā 1.C37h
ScorePlay ā 1.D47
Telos Alliance ā 8.D37
Book time now: tidycal.com/audioshake/ibc26
jessica powell retweeted
"Music is more durable than more strictly cognitive tasks like coding."
Why? The core of music lives in live performance, learning an instrument, and the artist-fan connection. The stuff that's hardest to automate is exactly the stuff we value most.
Great clip from @trapital š
jessica powell retweeted
CEO @themoko on the distinction that keeps coming up: @AudioShakeAI isn't generative AI ā and why that matters more for media + entertainment workflows in 2026 than it did even a year ago.
jessica powell retweeted
"I'm going to Disney World" is almost synonymous with winning the @SuperBowl. @ESPN wanted the original Phil Simms clip for their 2026 ad ā but the music was baked in. We pulled his voice from the mix. Watch: youtube.com/watch?v=w1l3z-tmā¦
jessica powell retweeted
Don't miss this free talk at SF Music Week on Friday š¶
@AudioShakeAI Founder + CEO @themoko will be on stage at #SFMusicWeek for "Innovation and the Technology Shaping the Future of Music" alongside incredible minds from @noisepop, @chartmetric, @splashmusicco, + @sonos š¼
jessica powell retweeted
Canāt hear what the ref said over the crowd? Need a live translation in a noisy room? Now you can. š§The AudioShake #SDK is hereāreal-time audio separation, on-device. Proud to launch with our partners @TunedGlobal, @accessinclusion, @MashAppMusic, @VolocoApp, and @AntaresAudioš
jessica powell retweeted
Check out this free to use AI Stem Splitter powered by @AudioShakeAI ā¬ļø
šµ Pull tracks from your Audius profile
šļø Automatically split vocal, instrumental, or drum stems from your track
š Re-upload them to Audius
š: stemsplitter.audius.communitā¦
We're excited to share audius.community: a growing directory of community-built projects that tap into the Audius protocol.
Whether itās something you whipped up during a hackathon or a fully-fledged app built around Audius data, we want to showcase it all!
jessica powell retweeted
I canāt wait to bring a taste of the desert to @litcrawl SF with Sāmores & Stories š„šµ
Join us on October 26 for tales from the edges of California by @TanyaZilinskas, @themoko, Billy Song, and Katie Wheeler-Dubin, along with delicious sāmores, courtesy of Mojave Mallows.
jessica powell retweeted
AQR Vol. 40, 1 & 2 is now available and free to read in our online archive! Work from @MaxineScates, @xiankiefer, @themoko, @haharuffo @R_Turkewitz, @JesseLKercheval, @YPPLaureate, @will_richter, Mistee St. Clair, @ok_maksymchuk, and many more:
aqreview.org/archive/aqr-volā¦
jessica powell retweeted
See you at @ISMIRConf 2024! @AudioShakeAI 's Research team will present its research on lyrics transcription in San Francisco in November.
Looking forward to presenting our lyrics transcription benchmark at #ISMIR2024 in San Francisco! Our paper grew from last year's LBD to a full paper with more results, which has now been accepted, so stay tuned!
audioshake.github.io/jam-altā¦
jessica powell retweeted
Loved the story. Though I have to say it threw a wrinkle into my plan to one day retire as a lampshade.
jessica powell retweeted
Save the dates! In May we'll be releasing readings from Debbie Urbanski (5/4) and @themoko (5/11) on our YouTube channel. In the meantime, you can watch Jessica and Debbie's conversation about AI, science fiction, and the future of writing & technology:
youtube.com/watch?v=tw9ZsEYCā¦
Now live! A conversation between Debbie Urbanski and @themoko about science fiction, writing, the state of technology, the development of AI, and its impact on human life and ideas about what it means to be human. Watch here:
youtube.com/watch?v=tw9ZsEYCā¦
jessica powell retweeted
To all my art/music/scene-building interested friends,
this @themoko piece on generative AI and music is what so many of us have been talking about.
You have to read this one. A snip below,
I got tired of constantly hearing that generative music is the next Napster, so I wrote something with exactly that title for legendary @RuncieDan and @TrapitalMedia
trapital.co/2024/03/08/is-geā¦
jessica powell retweeted
Itās trueāour new issue, AQR Vol. 40 No. 1 & 2, Winter/Spring 2024, is here! š± Featuring work from @xiankiefer, @JesseLKercheval, @YPPLaureate, @themoko, @ok_maksymchuk, @haharuffo, @saraelizaj, @CCitroPoet, @R_Turkewitz, and many more. Get your copy:
aqreview.org/aqr-issues/p/aqā¦
jessica powell retweeted
If we made a mixtape of our projects in 2023, I have to say it would sound pretty good šŖ©@WeAreDeLaSoul, @Sia, @NinaSimoneMusic, @SZA āĀ and thatās just our work with the music industry. Take a look at our 2023 highlights and hopes for 2024: audioshake.ai/post/2023-recaā¦