Michael Holden (@thewrongwriter) header
Michael Holden (@thewrongwriter) profile picture

Words for pictures, words for papers.

Joined January 2011
Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)Photo by Michael Holden (@thewrongwriter)
1. I want to share something about Hilary Mantel which I hope is about her as a writer but also perhaps an illustration of the power and potential of writing itself…
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More Brasseye than Brasseye - and the same year.
Jonathan Meades: Remember The Future (1997). The first documentary from his series Even Further Abroad, Meades asks about Britain and technological modernism and our national dread of awe. Big Tech was never going to fit into Little England he concludes, despite the postwar lurch towards the white heat of technology and a brief flirtation with architectural determinism. Instead "The shape of things to come is the shape of what's already been. We're invited to advance timorously into the past." What's old is new again and Meades's arguments about Nineties Britain are back in play: data centres and high speed rail, wind farms and modular nuclear reactors - is it really us? Is our suspicion of technological utopia a hangup, or a well honed defence against the petty tyrannies of planned progress? Or is it just an argument over taste? One person's national heritage is another person's Victorian monstrosity etc. We're headed into the future regardless, why argue about the brickwork there. Meades is acerbic as well as informed and thoughtful, and his documentaries should be Grade 2 listed: preserved for future generations to gawp at on school visits to the world of analogue television, where we thought 30 minutes of architecture on BBC2 before the snooker started was good for us.
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Go on, then
Incredible bit of writing by Michael Holden about my new book.
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The key point I’m trying to make with my new book (out next week)
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London not quite fallen 🙏
The Prince Charles Cinema Secures its Future The Prince Charles Cinema is thrilled to announce that we have signed a new 25-year lease with no break clause, ensuring our projectors will keep rolling for years to come. #YouSavedThePCC
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Out on 22 Oct
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Heartfelt thanks to all of you on here who sponsored us for this. We raised around 12K, which will let four people stay with us. 🙏
Dear all - I am doing a sponsored walk In September on behalf of Maytree, the charity where I work . We remain the UK's only residential support for people in suicidal crisis and are reliant on donations. Please share or donate if you can tinyurl.com/32h86dnp 🙏
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New book coming out on October 22. Have some TV and radio lined up but keen to do podcasts and events too.
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"If Photography Stole Our Souls, What’s Left for AI?"Behold this freed-from-@vice paywall screed. Because there is not yet enough writing on these machines about the problem with these machines🙏 vice.com/en/article/attentio…
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Dear all - I am doing a sponsored walk In September on behalf of Maytree, the charity where I work . We remain the UK's only residential support for people in suicidal crisis and are reliant on donations. Please share or donate if you can tinyurl.com/32h86dnp 🙏
🤖 Made with AI
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Maytree | Sanctuary for the suicidal maytree.org.uk
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With a lot of Robert Bolt on iPlayer (Man for All Seasons + Lawrence) I bought Adrian Turner's biography 'Scenes From Two Lives' - pleased to see this attribution of the famed match/desert cut which skews towards Lean/Young/Coates, as rooted in the writing
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Karma, Kim n' Elon. "Influence is a coproduction. Perhaps the brightest future is one in which we learn to look away" .open.substack.com/pub/precis…
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Michael Holden retweeted
Michael Holden's new VICE column, taken from the comeback issue of our magazine, has been liberated from the paywall—read @thewrongwriter's take on the modern condition here: vice.com/en/article/attentio…
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Love The Firm. I especially love the fact that one of the senior hooligans is called, "Oboe." 'Why' someone ends up named after a classical instrument is less the point than its authentic representation of the sheer weirdness of the nickname process.
Watch out for The Firm on BBC4 at 10.0. The late, great Alan Clark’s last film. A young Gary Oldman at his very best, Lesley Manville, a bit of me. The first of the football hooliganism films. Made in 1989 it’s a stunning piece of work.
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Pulp Friction. “The object that behaves perfectly becomes no better than a hallucination.” open.substack.com/pub/precis…
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'The Attention Casino' piece I wrote for @vice now liberated from their paywall. "The ‘zone’ in the casino where we find ourselves is not one of comfort. In fact, it runs on stress, anxiety, and a replica of togetherness experienced mostly while alone." vice.com/en/article/attentio…
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