gio transner ★ retweeted
The new Dune 3 trailer includes a scene shot on 16 mm optical stock that was designed for sound, not for cameras - and this could be one of the most crucial scenes in the entire trilogy.
Optical sound stocks like Kodak’s panchrome are engineered for soundtracks. Light modulated by an audio signal creates pure black or clear areas with minimal gray tones, maximizing signal clarity and frequency response when read by a photocell.
Because the emulsion is still light-sensitive it can be run through a motion-picture camera. Careful exposure is required due to the high contrast and low speed requiring plenty of light, precise metering and testing.
It's processed in conventional black-and-white chemicals producing a negative with extreme contrast, nearly grainless sharpness and sometimes distinctive artifacts.
such as highlight bloom or a dreamy quality.
‘DUNE: PART THREE’ cinematographer Linus Sandgren on Denis Villeneuve’s vision for the final film of his trilogy:
“For this film, he encouraged us to be especially expressive. After months of testing, we landed on filming in almost every format, from IMAX 65mm film to digital and poetic 16mm. We even shot on black-and-white film stock that wasn’t made for cameras, but for optical sound. Every format was carefully chosen to evoke the emotions Denis wanted to capture in each shot.”
gio transner ★ retweeted
Nolan's IMAX fetish ruins so many of his scenes man. Oppenheimer is the only one where this erratic editing actually suited the movie
gio transner ★ retweeted
Its CRAZY how well this works.
(Also I fucking love this movie. Every kaiju frame is a painting)






































