Vectris retweeted
gm,
for everyone who couldn't make it to Artblocks Marfa 2026
this is the next best thing I guess.
Watch the final episode of Marfa FOMO
and let me know if you spot any familiar faces.
Vectris retweeted
Marfa, part 3.
Big love for Plastic Cactus, the show @GTSewell put together: permissionless, independent artists and the patrons behind them. The best thing I saw all week. @cryptopeng1, @nxt3d, @vectris, @bardionson, @chazz_gold and many others on the walls.
Real art, fake cactus.
ALT Plastic Cactus, Marfa: GT Sewell with a visitor inside the exhibition.
ALT Plastic Cactus, Marfa: a wall of small black and white prints.
ALT Plastic Cactus, Marfa: photographs and prints on the gallery wall.
Vectris retweeted
Color Commentary w/ Special Guests: @Jared_Poz @CryptoPeng1 @Egodead @Desultor + @Goppie 🎨 [EP.116] nitter.cf/i/broadcasts/1MJgNbRWN…
Vectris retweeted
The Last Supper, Marfa ‘26
@LeValleyKelly & i need to make this a tradition - no better way to end the weekend
Vectris retweeted
THE DAM SHOW: [HOUR ONE] 8NAP Jared, Steve Miller, Nishant, Rebecca Rose & [HOUR TWO] GT and Jane! nitter.cf/i/broadcasts/1DGLdZBWz…
Vectris retweeted
Marfa Artist Hunter episode 1
Featuring @A_Giant_Swan the baddest hunter from down under
In an epic encounter with a legendary @brain_pasta
Vectris retweeted
Half a century of dream reports. Maps. Tracking.
Sleep Surveillance is one my favorite so far here in Marfa
Incredible work @vectris
Bringing 37,000+ dreams to the desert.
Sleep Surveillance is a map of half a century of dream reports, watched by tracking software.
Showing prints at Plastic Cactus as part of @artblocks_io Marfa weekend.
See you out there.
Vectris retweeted
Little primer for tomorrow's ritual without the fluffy mystery.
Tomorrow you can light a scene by minting candles in a black void.
You can put any amount in, they're all yours to to manage.
The ritual is how you participate. It completes in 54 hours.
Vectris retweeted
The Wall Report, day 41.
249 names on the wall. 251 panels left. 10 days before it is painted for good.
New yesterday: VECTRIS (@vectris), panel 251; BOTTO, panel 359; PAINTS, panel 360; LIGHT, panel 361; FRAMES, panel 384; HOLD, panel 385 and 4 more.
onthewall.nfcsummit.com
Vectris retweeted
Selected Frequencies - Week of September 25, 2026
- The Art of the Machine – @vectris
- Proof of humanity: fingerprints in the artblocks code · AB5D – @maxand98
- Seven Worlds of Digital Art | A Visitor’s Guide - Right Click Save – @rtclick_save
- The 1337 Guide to Onchain NFTs – @1337skulls
- Web3 Artists and the Trad Art Establishment – @arthemort
- Susan Kare: Designing Icons & Graphics For the Original Mac – @heliographe_
Read them all at bitverse.art/journal
Image: O B S C V R V M by @LukaPiskorec
Vectris retweeted
Just had lunch with these two legends, @Maroye & @vectris and on my way back to the car noticed @jackbutcher even has credit for Melbourne trams!
Vectris retweeted
Gm ... Here is a lovely group photo of all the artists and patrons making Plastic Cactus happen for @artblocks_io weekend Marfa 2026 ... You're ALL fucking rad!
🏜️🌵 PLASTIC CACTUS [dot] ART🌵🍹
*If I missed you in the group shoot lmk*
Vectris retweeted
> The critics are looking in the wrong direction. The real question isn’t what AI replaces - it’s what AI enables
Vectris retweeted
Apotosis
/ap-oh-TOH-sis/
The programmed decay of data, noise, or excess information so that more valuable signal can survive.
Apotosis opens June 12, 8am AEST.
1,000 digital artworks.
Digital art that kills the noise to amplify the signal.
This has been an art obsession for the past 9 months. Not just making images, but building the whole system around them: the visual language, the direction, the curation process, the website, the contract, and the mint mechanics.
It began with more than 50,000 images and slowly became a collection of 1,000 works.
The mint uses adaptive pricing, with a target average price of 0.025 ETH, and a 30-day sale period unless sold out earlier.
90% of primary mint proceeds go to a Reserve Wallet, intended to acquire and retire underperforming works from the collection. The idea is simple: selective loss makes the surviving body of work clearer, rarer, and stronger.
That is why this needed to exist.
It is not only a collection of images. It is a programmed curation cycle. A digital art organism shaped by creation, selection, decay, and survival.
I’m proud of that. Not because it was easy, but because it wasn’t.
Now collectors begin the next pass.
Filter.
Eliminate.
Amplify the signal.
apotosis.mankind.art
