Matthew Cooper - Director (@Matcooper) header
Matthew Cooper - Director (@Matcooper) profile picture

Director of comedy film 'Sober'. Maker of innovative low budget horror films. No1 UK Scriptwriter for hire. AI vid for brands. https://nitter.cf/t.co/30YzREpBn6

Leeds UK
Joined January 2011
Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)Photo by Matthew Cooper - Director (@Matcooper)
'SOBER' - Leeds set feature film in full - free to view on YouTube starring Dean Smith. youtu.be/Dx3yq03z6Mc?si=dCf0… via @YouTube ‘Trainspotting for #LeedsUnited dads’ #LeedsUnited #LUFC
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Matthew Cooper - Director retweeted
One of my favourite details about Michael Mann’s Thief (1981) is that the corrupt cop trying to shake down James Caan was played by the real-life jewel thief who helped inspire Caan’s character.
Replying to @GangsterCinema
One of the thieves who trained Caan was John Santucci, a real-life Chicago professional thief who was one of the main inspirations for Frank. Santucci served as a consultant on Thief and also appears in the film as Sergeant Urizzi, the corrupt Chicago vice cop who harasses and shakes down Frank. Santucci had only recently been paroled when he joined the production. He supplied the filmmakers with his own collection of burglary tools. Under his supervision, Caan spent weeks learning how to use specialised drills, hydraulic pullers and high-temperature thermal lances.
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Carlito’s Way (1993) They’d hunt you down and kill you (and your whole family etc, etc) if you tried to shoot a movie as beautiful as this today.
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It took 2–3 years to edit Apocalypse Now because Coppola shot 1 million feet of film, 90x what’s typical, and the footage was a mess. The movie wrapped without a clear plot structure, so editor Walter Murch spent months shaping it into a cohesive arc. But sure, praise Coppola.
Movies are MADE in post production and I’ll die on this hill.
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So proud of my boy. Still only 22, & tonight he launches his first range of athleisure wear… designed by himself! It’s called matchr. You can find it on instagram on the link below. Please share if you like what you see. 🤞 instagram.com/matchr.clo?obr…
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Goodnight from Bill Cox, his scanning of police radio chatter inadvertently leading to phantom whispers among the static. Goodnight from Al Lucking, unsure whether glimpsed demon has come out of the apple brandy bottle or from some hellish reality. Goodnight from Hookland.
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Happy Evil Dead Day ! 45 years ago today (October 15th) in 1981 The Evil Dead had it's World Premiere at the Redford Theatre , Detroit Michigan !!
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I’m sorry, Linda, but I can’t take the kids trick-or-treating tonight. I have to save the world. Right after I have a few drinks.
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Halloween III: Season of the Witch (1982) dir. Tommy Lee Wallace
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BON JOVIの来日は行けなさそうなんだけど、以前からあるこの動画は何度観ても音楽ってハッピーだなぁと思わされるから大好き❤
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They're fun, they're frightening, and they glow in the dark!
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BREAKING:🚨 Aston Villa are to take legal action against channel 4 presenter Jasmine Harman after she said on an episode of 'A place in the Sun' "the villa is a bit small and lacks character".
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Couldn’t let Halloween pass without once again posting Peter Brook’s ‘4Fresh Witches - Near Pendle in Lancashire’, a seasonal variation of his early ‘4 Fresh Men’ series, featuring the bizarre behaviour of a group of drunken revellers. (Private Collection)
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What happened with that viral Red Baron Pizza worker is not a feel-good story, it's a feel-bad story. Everything about it says horrible things about where our society is headed. Some obnoxious prick films a guy working his fingers to the bone for a "prank" hoping to get social media clicks, and the worker flips out at him because his shitty, abusive job had stretched him a hair's breadth from snapping. The video goes viral because people sympathize with a father shouting at a creepy live-streamer about how his shift was supposed to end an hour ago and he needs to get up at five in the morning to do it all again so his family doesn't get evicted from the home he's struggling to pay for, and then a fundraiser is launched which winds up giving the man half a million dollars. Sounds like a happy ending, until you look at it. None of the other Red Baron workers are getting fundraisers to help them make ends meet; they're all toiling and suffering along with everyone else in similar socioeconomic positions, just as the man in the video would have been if he hadn't gone viral. Turns out the guy who set up the fundraiser for the Red Baron employee was himself a homeless veteran of the US military, who received his own far less successful fundraiser when this revelation came out. When you zoom out, this is just a story about how incredibly bleak life is for ordinary people in the heart of the US empire. And yet capitalism proponents have seized on this story as an example of the system working perfectly while portraying it as a victory in their weird culture war theater. Conservative media platforms like The Daily Wire, The New York Post and Barstool Sports have framed the worker as a people's champion standing up to an entitled coastal liberal while working hard for his employer as Judeo-Christian God intended. Red Baron posted on social media that they are part of their employee's "fan club" and that he is their "employee of the month", causing conservative figures like Laura Loomer, Benny Johnson, Kevin Sorbo and Tim Burchett to swoon with approval. They want you focusing on this one particular instance where it all worked out fine so that you don't think about the exponentially greater number of instances in which it doesn't. Billionaire corporations are exploiting workers around the world for appallingly meager wages, causing a combined amount of suffering too vast for the human mind to comprehend. People resonated with that worker pouring his heart out into that click slut's Meta glasses because so many of us have been there and know what it's like to be stretched to the breaking point just trying to feed your kids. The capitalist class squeezes the life out of workers, and then they manipulate working people's thoughts at mass scale so they don't understand what's happening to them. They tell them their suffering is because of immigrants, or welfare recipients, or an amorphous cabal of "elites" who always conveniently belong exclusively to the opposite political party. They feed them media convincing them that the system is working fine and that if they can't hack it it's because something is wrong with them. They offer them the occasional "feel-good" viral story about someone who got lucky, like feudal serfs listening to fairy tales imagining that they too might one day marry a prince or discover that they are a member of the royal family who was lost at birth. They pour all this energy into convincing workers to accept the status quo because they are at all times acutely aware that as soon as the workers stop accepting the status quo, it's over for them. The most under-discussed political reality in the world is that there are a whole lot more people suffering under the status quo than there are people profiting from it, and that the sufferers are fully capable of overturning the status quo by force whenever they decide to. Our entire society is built around the need to manipulate our attention away from this political reality. All our mainstream culture. All our news media. All our politics. All our education systems. It's all designed to direct our gaze away from the reality that there are a whole lot more of us than there are of them, and that they need us infinitely more than we need them. They don't want us to look at this reality. They don't want us thinking about it. But we really, really should.
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Matthew Cooper - Director retweeted
Gateposts appear in many of Peter Brook’s paintings. In ‘Looking into a Frosty Brontë Landscape - And the Sun Comes Out’ it is the monumental posts which dominate the scene, their size and formality seeming out of place in what appears to be a typically remote Pennine landscape.
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Patrick Stewart, Helen Mirren, and Liam Neeson in “Excalibur” (1981).
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It’s that time of the year again for new #scriptwriters – the BBC Writers Open Call for submissions runs from Tuesday 3 November 2026 to Tuesday 1 December 2026 at 12 noon. So the big problem is that for new writers entering the BBC OPEN CALL – you need to get your script to me for review before mid- November 2026 tinyurl.com/2s2cdjyk
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Matthew Cooper - Director retweeted
BBC Writers Open Call for #scriptwriting runs from Tuesday 3 November 2026 to Tuesday 1 December 2026 SO - the big problem is that for new script writers entering the BBC OPEN CALL – you need to get your script to me for review before mid- November 2026 – I have never ever done a script report and NOT given loads of notes for rewrites and changes – so if you’re going to pay for a report – you’ll need time to make the changes and address my notes BEFORE YOU submit your script to the BBC OPEN CALL. tinyurl.com/2s2cdjyk
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Matthew Cooper - Director retweeted
🎂 Happy Birthday, Boss!
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‘And the smell of woodsmoke’ by Peter Brook RBA
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John Carpenter’s Vampires was released #OTD in 1998🎬🦇
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