Duncan Willis retweeted
The concept of Detectorists might sound a bit dull, however this charming, heartwarming comedy is anything but 🥰
@BBCiPlayer
#Detectorists
Duncan Willis retweeted
I am mid-flight right now and I have just received the news that Sir Patrick Stewart has left us. Modern technology is both an impressive and an extremely cold thing. Internet databases have already begun referring to him in the past tense. “Sir Patrick Stewart was…” and such a surreal sight hangs heavy on my heart.
Patrick was a friend. Not a close one, mind you, but it was a friendship, an “acquaintanceship” perhaps, that spanned more than half my life.
Ann Cook Calhoun was an extremely well published and well known Shakespeare scholar who also happened to be a dear friend of my family. A better way of describing our relationship is that she became something of a fairy godmother to me, taking an early interest in my education, both financially and academically.
Ann and Patrick had been dear friends for many years (since their mutual involvements with the Royal Shakespeare Company) and she often told me that I reminded her of a young Patrick. Of course, I always thought the comment was her way of being encouraging. Once, when I was attending the graduate Acting program at Columbia University, Ann came to New York with my parents and took us all to see Patrick play Prospero in a Broadway production of “The Tempest”. That was the beginning of my association with Patrick and, in that one evening, I saw what an artist and a professional truly looked like.
Flash many years forward, and you can imagine our mutual surprise at finding ourselves in the very small club of Enterprise Captains. Just… I’m not sure there’s another word for it but “bonkers”. Every time we saw one another, Patrick and I couldn’t help but marvel at this strange serendipity and how Ann, God rest her soul, would have been over the moon at this kismet. While I always thought that Ann had just been doing me a favor, I eventually realized that she really had seen something in me that would, for whatever reason, prove a connection to her dearest old friend. God, I loved her.
Like I say, I didn’t know Patrick incredibly well, but I always knew him to be generous and gracious to a fault. Our first time appearing together as captains was at the network up-fronts in New York. I had arrived late because of my production schedule so I didn’t get to rehearse our bit on stage before we walked out to the lights and cue cards. Of course, I completely missed my mark and had to adjust which made the entire audience laugh. Patrick held his opening line, looked at me and made a gesture as if to say, “You good?” I nodded vigorously, which seemed to elicit another laugh and he nodded back as if to say, “Alright then.”
Patrick had presence, generosity and good grace to spare, and along with an incredible intellect, he brought those qualities not only to Jean Luc, but into a lived integrity that made him an exemplar for lost, young actors looking for a way. I’ll always love him for it. I’m just sorry that was our one and only moment on stage together. Even our turn together in “Dr Strange” was pieced together in post. Why? Because he was shooting Star Trek: Picard” and they couldn’t get him off the set. Jean Luc was if not his first love, his deepest.
Oh well. Perhaps in the next play, in the next theater, he’ll hold a small, nameless roll for me and I will carry that spear with delight.
Bravo, Patrick. I will miss you dearly. Until next time… Engage.
Duncan Willis retweeted
In lieu of flowers, memorial contributions may be made to:
Johns Hopkins Alzheimer’s Disease Research Center Fund
alzresearch.org/giving/
Alzheimer’s Foundation of America Caregiver Resources
alzfdn.org/donate/
Photo Credit: Tommy Garcia
Duncan Willis retweeted
Mourning the passing of Star Trek legend Walter Koenig. He was 90. A couple of years ago, Walter gave us a nice interview for the Roddenberry Archive, directed and edited by Roger Lay, Jr. youtu.be/Z3vzNfxpgZ8
Duncan Willis retweeted
60 years ago today, we lost 116 children and 28 adults on one of the darkest days in Welsh history.
Cofiwn Aberfan.🖤
Duncan Willis retweeted
Detectorists... The perfect escape ❤️
@BBCiPlayer
#Detectorists
Duncan Willis retweeted
When celebrity protest was costly and not done for naughty vibes and extra followers.
34 years ago this month, an Irish woman committed an act of defiance on American television that would make her one of the most hated celebrities in the world.
She tried to get people to pay attention to children being abused by the very institution that claimed to be their moral guardian.
On 3 October 1992, Sinéad O'Connor appeared on Saturday Night Live, one of America's most popular television programmes.
She was 25 years old.
Two years earlier, Nothing Compares 2 U had made her a global superstar. She had an extraordinary voice, enormous commercial potential and a future that could have made her fabulously wealthy.
Every incentive in the entertainment industry told her to keep smiling, singing, looking pretty and making money.
Instead, she chose to make people profoundly uncomfortable.
She performed Bob Marley's War, completely alone, without instrumental accompaniment, changing the lyrics to explicitly condemn child abuse.
At the end, she held up a photograph of Pope John Paul II.
And tore it to pieces.
"FIGHT THE REAL ENEMY!"
Silence.
The audience didn't know what to do.
Neither did the producers, who had no idea she was planning this.
Within days, the machinery of outrage was operating at full capacity.
Sinéad had insulted Catholics!
She had insulted the Pope!
She had insulted religion!
How DARE this young woman with a shaved head disrespect something so sacred?
Funny how much more offended people could get about a torn photograph than about children being raped and abused by people entrusted with their care.
Actor Joe Pesci subsequently appeared on the same programme and declared that, had he been there, he would have given her a smack.
The audience laughed and applauded.
A grown man threatening to hit a woman for protesting child abuse.
Apparently THAT was entertainment.
Madonna criticised her.
People destroyed her records.
Her career suffered enormously.
Two weeks later, she appeared at Madison Square Garden for a concert honouring Bob Dylan.
Thousands of people had come to celebrate a musician whose reputation rested partly on decades of songs about injustice, rebellion and refusing to submit to authority.
And when Sinéad appeared, a substantial part of the audience BOOED her.
For having actually rebelled.
Kris Kristofferson approached her and told her not to let the bastards get her down.
"I'm not down," she replied.
And instead of singing the Bob Dylan song she had prepared, she launched into War AGAIN.
What happened in the following decades?
Investigations revealed extensive sexual abuse of children by Catholic clergy and institutional efforts to conceal it.
Sinéad wasn't attacking the ordinary believer who found comfort in religion.
She was confronting the immense power of an institution whose moral authority had protected perpetrators and helped silence victims.
Duncan Willis retweeted
Patchwork Poppies is a field of blooms captured in ink using a technique that lets me roll one colour over another without mixing. I developed a solution using a little-known inking method to build layered, patchwork-like depth. rebecca-vincent.co.uk/produc… #PoppyArt #FieldArt #Printmaking
Duncan Willis retweeted
Laundry Day in Genoa, Italy, in 1928. This autochrome of the neighbourhood washing lines was taken 98 years ago by Hans Hildenbrand. It is a view looking down the Piazza dei Truogoli di Santa Brigida. It was taken using an early colour glass plate process and isn't colourised.
Duncan Willis retweeted
It's such a special moment when the light first hits. Standing in the early pre-dawn silence, you watch the sky get fractionally paler and paler, until the sun suddenly breaks cover over the hills with a sharp flash and runs down the slopes into the valley, bringing brightness to the trees and the river and the path ahead. It never gets old.
📍 Peak District, England
Duncan Willis retweeted
I’m cleaning up a suit of cat armour from 2000 today. Thought you might like to see the helmet. #jeffdeboer #catarmour #matalarts #gothicstyle #catart
Duncan Willis retweeted
A fascinating visualization of Vivaldi’s “Winter” that makes the music feel more intense. Almost like seeing the sound itself.
credit Gilmar Araújo - Conde X
Duncan Willis retweeted
Beautiful visuals from the award winning 1960 Canadian documentary Universe that famously caught the attention of Stanley Kubrick.
Duncan Willis retweeted
Not a Versace photoshoot, this portrait was taken 108 years ago, on Saturday 3rd March 1918. As the Great War raged, French photographer Paul Castlenau travelled to Arabia (in the area now known Jordan) to take this autochrome of Fayz Bey el Azm (one of the court entourage of Prince Faisal).
Fayz Bey el Azm was a Syrian. Many people aren't aware of the incredible genetic diversity within Syria. Light features like blue eyes and blonde hair are completely native to the region and have been since ancient times.
This portrait was taken using an early colour glass-plate process and isn't colourised.











































