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Nancy Cunard
"Up and at 'em!"
[photo by John Banting @Tate tate.org.uk/art/archive/item…]
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Le Bal élégant, La Danse à la campagne
Marie Laurencin #botd
Exhibited at the Salon des Independants, Paris, 1913
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“There are different ways to commit murder. They chose to strangle us,” journalist Dmitry Muratov tells me, after Russia’s most prominent independent newspaper Novaya Gazeta is forced to close. Our report from Moscow. Producer @BBCBenTavener
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Natalie Clifford Barney (b. 31 October 1876) was an American-born writer, poet, lesbian icon, and legendary Parisian salon hostess whose unconventional life challenged the sexual and social conventions of her era.
Born in Dayton, Ohio, into a wealthy family, Barney moved to Paris as a young woman, where her fortune allowed her to pursue literature, art, and romance without financial restraint. Openly lesbian at a time when homosexuality was widely condemned, she famously declared that her sexuality was not a vice but a means of avoiding one. Her numerous romantic conquests included poet Renée Vivien, courtesan Liane de Pougy, and painter Romaine Brooks, with whom she maintained an extraordinary, if frequently complicated, relationship lasting more than fifty years.
Beginning in 1909, Barney hosted a celebrated literary salon at her home at 20 rue Jacob on Paris's Left Bank. For six decades, her Friday gatherings attracted an astonishing array of cultural luminaries, including Gertrude Stein, Colette, Djuna Barnes, Ezra Pound, and T. S. Eliot. She championed women writers and established an informal alternative to the male-dominated Académie française.
Writing primarily in French, Barney published poetry, plays, memoirs, and collections of epigrams, although her greatest literary influence arguably came through the writers she inspired. She was immortalized as the character Valerie Seymour in Radclyffe Hall's The Well of Loneliness and as the formidable Dame Evangeline Musset in Djuna Barnes's Ladies Almanack.
Barney died in Paris on February 2, 1972, at age 95. Unapologetically lesbian, fiercely independent, intellectually adventurous, and romantically insatiable, she remains one of the most remarkable figures of 20th century lesbian history—a woman who made her own rules and spent nearly a century delighting in breaking everyone else's. 🏳️🌈
[Natalie in the hat with one of her many lovers, the poet Renée Vivien, c. 1900]
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A self-taught artist, Niki de Saint Phalle #botd was quickly recognized in the 1960s as an important participant in contemporary art both in Europe and America, and used art as a rebellion against a patriarchal society...
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Let Piero draw you in 👀
Artist and scientist, the Italian Renaissance painter Piero della Francesca changed the way we see. Serene figures, natural landscapes, harmonious interiors and intriguing compositions present religious stories in a revolutionary way, inviting viewers to look closer.
In the largest exhibition ever devoted to Piero, see some of his most celebrated altarpieces in all their splendour, reunited for the first time in centuries.
Find out more: bit.ly/4std0zU
Opening 2 October 2027.
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Cleo Laine #botd, was not only the most creative and successful jazz singer the UK has known, but was also respected worldwide as one of a handful of truly original jazz-inspired vocalists...
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Tamara de Lempicka
(Polish, 1898-1980)
[She became the most iconic figure of the Art Deco movement. Known as "the baroness with a paintbrush," her work captured the glamour, modernity, and sophistication of European and American high society during the interwar period].
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Dancers perform Pina Bausch’s choreography from “The Rite of Spring,” interpreted from the Igor Stravinsky piece, at the Brooklyn Academy of Music.
"Mines lie below; drones hover above. Death is everywhere: beneath your feet and over your head" - a terrifying account of Oleshky under occupation reported by @ZarinaZabrisky
Get ready for the unfolding of a Russian propaganda operation, carried out with the aid of the White House, in the battered town of Oleshky. From @ZarinaZabrisky, who has been reporting from Kherson, just across the river, since 2023
theatlantic.com/internationa…
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Tamara de Lempicka painted her first husband, the lawyer Tadeusz de Lempicki, in 1928.
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Laura Knight mentions this portrait of her from 1897 in her memoirs. Her husband Harold, had returned from Paris after weeks away. 'My hair was done in a new French style that Harold fancied and I posed for a portrait of head and shoulders. How mystical I look.'
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'Girls Outside the Gaiety Cinema, Newlyn.' (1925) Throughout the first two decades of the 20thC, a love of his native Cornwall dominates Harold Harvey's work. The 'impressionist' touch of his early work gives way to a crisp delineation of forms in pictures produced after 1920.
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When you understand that under capitalism a forest has no value until it's cut down, you begin to understand the root of our ecological crises.
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Paintings of muse and model Fanny Eaton (nee Entwhistle, 1835–1924), to celebrate #BlackHistoryMonth in the UK.
Born in Jamaica, Fanny came to London when she was young, the daughter of Matilda Foster, a woman of African heritage who had been enslaved in the British Colony. …
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En el Moulin Rouge, dos mujeres bailando 1892.
Henri de Toulouse Lautrec 1864-1901.
Galería Nacional de Praga.
Praga. República Checa.
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The new Prime Minister is writing a "10-year plan" for the UK. The arts and culture MUST be part of it. I've signed @_CFTA's petition urging @AndyBurnham to revitalise the arts – to revitalise the whole nation 🌱 Please join me: campaignforthearts.org/petit…
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Proud to support 'Sebastiane 50: The Reunion' at London's Gate Cinema; 28 Oct, 50 years after Derek Jarman's film premiered there
Join us to celebrate his legacy & launch of documentary project 'Loving Sebastiane', with selected clips.
🎟️ Free tickets: eventbrite.com/e/derek-jarma…




































