Tim Akers ⚔️ (@TimAkers) header
Tim Akers ⚔️ (@TimAkers) profile picture

Subcreator. Gamer, author, Christian. Epic Fantasy Thrillers that remind you how fun fantasy can be.

Tennessee
Joined November 2008
Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)Photo by Tim Akers ⚔️ (@TimAkers)
Another day, another reminder that I write cool books
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What book or series influenced you the most, but no one would guess it? I'll go first: The Fault Lines trilogy by Tim Powers
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I take my morning coffee on the porch The dew is diamonds on the leaves silver in the grass and cold on hems of my pant leg
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Thursday night at 8 pm eastern / 6 pm mountain, I'll be livestreaming the end of the Witchy War Kickstarter campaign along with the launch of Hapax Press. Join us! youtube.com/watch?v=P4LPIfWU… Learn more about and back the Witchy War Kickstarter project here: kickstarter.com/projects/hap…
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There's a whole lot of "The Pope shouldn't be talking about his vote" from people whose pastors have politicized the pulpit, and whose churches have been releasing Voting Guides
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Demand of Chick-Fil-A in my area is so high that they're building a larger CFA down the street from the old one. But they closed the old one a matter of weeks before the new one could open, so suddenly there's no CFA. The panic is tangible.
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What's with that Hapax Press logo? That is the Multiocular O. A fifteenth century monk was making a copy of the psalter in Old Church Slavonic when he created this design to be the letter O in the phrase "the many-eyed seraphim." These are the seraphim's many eyes. Until it was turned into a Unicode character, the Multiocular O was a "hapax legomenon," which means a character that only appeared once in writing. Rotate it 90 degrees, by the way, and the Multiocular O bears a striking resemblance to the sephirotic tree. You can get mugs, caps, and polos with the hapax logo on them as add-ons in the Witchy War Kickstarter campaign. Check out those options and back the project here: kickstarter.com/projects/hap…
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Tim Akers ⚔️ retweeted
God, the Universe, and Microsoft have all conspired to make me examine my current employment situation, and whether I want to leave MS at the end of this year. I am exploring a lot of different options at this point. Continuing to do embedded & open-source development, teaching, looking for a publishing job... anything that is (relatively) low-stress and pays enough to keep flesh on my bones. If anyone knows of anything I might should take a gander at, I'd appreciate a pointer. linkedin.com/in/samrobb/
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I'm sad to learn that Patrick Stewart has left us. Particularly to Lewy Body Syndrome. That a mind and spirit as vigorous as his would succumb to that disease is quietening.
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Today I had phone calls or meetings with six potential Hapax writers. Hoping to introduce them all to you next week, at the campaign-end livestream. youtube.com/watch?v=P4LPIfWU… Meanwhile, the project continues to charge ahead. Learn more about it and back the Witchy War here: kickstarter.com/projects/hap…
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Tim Akers ⚔️ retweeted
When George Washington was inaugurated in 1789, he wore a relatively plain brown frock coat. To the modern eye, the garment may look fancy, but it was relatively constrained for a man of Washington's position. Affluent Americans at the time tended to wear European fabrics, as centuries of textile tradition on that side of the Atlantic meant that their materials were finer, silkier, and more luxurious. Those who could afford to wear such materials often did, not just because they were more comfortable, but because they signaled status. Washington rejected this convention for his inauguration, opting instead for a plain brown frock coat made from an American-made material, specifically one produced by a relatively new upstart in Connecticut. It's also notable that his outfit for that day was considerably more restrained than those of leaders in other Western nations. For instance, check out this outfit on George III (slide one). In this 1762 coronation painting, we can see the British monarch wearing a gold damask coat with a velvet mantle lined and edged with ermine and trimmed in gold. Even his shoes featured solid gold buckles. Washington opted for something simpler because he wanted to send two political messages. First, he wanted to support domestic industry (hence his request that the garment be made from American woolen broadcloth). Second, he understood that the US was supposed to be a democratic republic, not a monarchy. Back in Europe, monarchs wore fancy ceremonial attire to reinforce their position in society. Washington, by contrast, chose something more restrained, signaling that he was not governing through divine right but rather through consent of the people. Irish-born architect James Holban also understood this when he designed the White House in the Neoclassical style, drawing from Georgian and Palladian architecture. Neoclassicism was a rejection of Rococo, which had been fashionable among European monarchs and aristocrats in the preceding decades. Most people will know Rococo from the photos of the lavish French palaces erected during the reign of Louis XV. Much like the elaborate ceremonial attire of European monarchs, these interiors were meant to impress upon people the wealth and power of European leaders. The visual grandeur reinforced the idea that these people fundamentally occupied a different social station from those they governed. To be sure, the White House was much nicer than what ordinary Americans at the time would have occupied. But much like Washington's inauguration outfit, Hoban's design was meant to balance the dignity of the office with the republican ideal that political authority ultimately comes from the people. Our leaders are not above us; they are here to serve us. That is why the White House was decorated in this relatively restrained way for almost 250 years, changing only recently. I have seen some on here suggest that glorifying the White House is meant to glorify the state, and thus the citizens. But this logic was historically used by dictators abroad, not US presidents.
That former presidents did nothing to modernize elevate the White House is pathetic and embarrassing. As for Trump’s decor, style - travel to the world’s capitals and monuments. You will see he’s very restrained and incredibly tasteful by comparison.
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We're getting the map. The team is already at work on it, extracting geographic details from the text and assembling appropriate fonts, etc. The next stretch goals is interior illustrations. Depending on how we close in the last few days, there may be multiple rounds of interior illustrations. When we unlock those stretch goals, we'll also unlock a high-end add-on--you'll be able to be the model for one of the illustrations. Learn more about and back the Witchy War Kickstarter campaign here: kickstarter.com/projects/hap…
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While I was sick, I did some casual work on the third Dragon and Crow novel. I'm... going to need to make a map.
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We have hit $50,000! The EPIC MAP is a go! Learn more about the Kickstarter campaign and back it here: kickstarter.com/projects/hap…
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*ADDITIONAL UNRELATED VAGUE PUBLISHING EXCITEMENT*
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I have three notebooks: One for daily plotting, currently committed to finishing the Party of One trilogy. One for the Dragon and Crow series, which is also on book three (of four? five). And a final notebook for my magnum opus, The Silence at the Center of the World.
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I might have to re-watch the Office (oh no! lol) but with Japanese dubbing. This is great.
Here is the "Hardcore Parkour" scene from The Office Japanese Dub.
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So Kickstarter itself has been running ads starting today for "Witchstarter," its Halloweenish-themed offerings. And they are featuring my books. So that's cool. Learn more about the Witchy War and back the Kickstarter campaign here: kickstarter.com/projects/hap…
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The story of a reader I started as a reader. I think most writers do, and those who don't were never there for the writing in the first place. So, a reader.
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And then, once I had processed the grief of all the reading I'd missed during college, I started to write again. What's funny is that I never stopped writing. I just stopped writing for the love of reading.
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So ever since, I've only written what I loved to read. Maybe my tastes don't align with the current trend. Maybe I'm too weird, or too tainted by the literati, or corrupted by the commercial fantasists. But this will always be true: I write what I love.
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