Just looking for fun...and freaky shit
Joined April 2020
- Tweets16.3K
- Following638
- Followers174
- Likes25.2K
Tim Stephens retweeted
My uncle spent 40 years as a high school teacher. Saved $250k in a modest nest egg.
At 78, he developed dementia and needed memory care.
The facility cost $8,500 a month.
When his savings ran out after two and a half years, the social worker handed my cousin a stack of paperwork.
She explained the rule: "Medicaid won't cover a single day until he has less than $2,000 in total liquid assets."
He had to sell his car, cash out his remaining life insurance, and empty his checking account just to qualify for basic care.
Forty years of discipline, erased down to two thousand dollars so he could die in a shared room.
They don't let working class families leave a legacy.
They make sure you die with zero before they hand you a safety net.
Tim Stephens retweeted
Guess who’s walking down the Tunnel?! It’s #tishacampbell! ⚡️
Tim Stephens retweeted
Snoh got Raphael Saadiq and Nile Rodgers on SEVERAL songs on the album. She got a rare Stevie Wonder co-sign and sample. She got Babyface. She got Jimmy Jam & Terry Lewis.
We are about to EAT! nytimes.com/2026/10/21/arts/…
Tim Stephens retweeted
Patrick Stewart, the star of ‘Star Trek: The Next Generation,’ died yesterday at his home in Los Angeles following a battle with Alzheimer’s Disease and Lewy Body Dementia. He was 86.
Read more on his life and legacy here: deadline.com/2026/10/patrick…
Tim Stephens retweeted
15 artists who set the standard for live performance in music according to Revolt TV:
Tim Stephens retweeted
Fred Wesley reflects with Mr. Christopher and Michael Bland on the unstoppable creative force of George Clinton. In the P-Funk era, nobody told George to stop—they just strapped in for the ride. Ever seen a leader who lets vision run wild? #PFunk #FunkMusic #GeorgeClinton
Tim Stephens retweeted
You can acknowledge an artist’s impact without personally connecting with their music. Your taste is subjective, but the impact an artist has had on music and culture can exist independently of how you feel about their work. Two truths can coexist.
Tim Stephens retweeted
Four women who could ALL sing lead, yet knew exactly how to blend their voices. That’s what made En Vogue so special. The vocal arrangements, the call-and-response, the harmonies, the choreography. They weren’t just singing together. They knew how to make four distinct voices sound like one. THAT is musicianship.
When En Vogue hit SNL in March 1992, they dismantled the myth that girl groups couldn’t sing full-throttle live in heels. Trading leads across Cindy, Dawn, Terry, and Maxine, their dynamic control remained untouchable—from Dawn’s raspy rock bite to Terry’s operatic belts. When they converged on the hook, their four-part harmonies locked in with their blend and zero backing tape. The album dropped 3 days later, proving to themselves and to the world just how Funky, these Divas really are.
THIS is the only aspect of Beyonce’s career approach that I wish others took advantage of…betting on oneself when others say “no”.
Tina Knowles says Beyoncé chose to self-fund Cécred after potential investors pushed back on the cost of product research and development. Rather than cut corners on testing, Beyoncé decided to finance the haircare brand herself.
Beyoncé recently explained that she wanted Cécred’s products to be effective enough that even people who dislike her music would use them -- making product performance, rather than her celebrity, the brand’s selling point.
📷 Getty, IG
