DevGetsIT | AI video lab

POV: it's 3am in Miami and you're the guy buying cocktails for mermaids Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Every group has three drinkers: the fun one, the sick one, and the one you never invite to the pool again. Which one are you after two drinks? Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera held at his chest height, about one and a half meters from them, centered and angled a little down at them, so we see their faces, the lit water surface around them and their tails under the water behind them; all three are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, resting their forearms on the same pool edge side by side, floating low with the water up to their collarbones; on the edge in front of them stand three wide glasses of bright pink cocktail with ice, one in front of each mermaid, and in each glass stands a bunch of exactly five thin see-through colored straws: lime green straws in the LEFT one's glass, neon blue straws in the RIGHT one's glass, bright yellow straws in the CENTER one's glass; behind them the bright lit turquoise pool water, clear enough to see into, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails, seashell bikini tops right at the waterline. It is obvious they are mermaids the whole time: under the clear lit turquoise water their long shimmering scaled fish tails are clearly visible stretching out behind them, each tail its own color. When a tail fin comes out of the water, it rises about two meters behind its owner, clearly separated from her head by open water; a tail fin never appears right behind or above anyone's head. Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real. Three clearly different women, not twins: LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail. CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail. RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail. The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear. Lips: the LEFT and RIGHT ones drink only through straws, so their lips stay clean and glossy the whole video. Only the CENTER one gets a few pink drops on her lips and chin, and only after her gulp at 8 seconds. Water: the pool water stays clear turquoise everywhere until 9 seconds. Only then the water around the CENTER one turns pink, exactly as described below. The pink stays as one soft cloud around her, about a meter wide, and never fills the whole pool; the water around the LEFT and RIGHT ones and the rest of the pool stays clear turquoise. Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible. Important: all three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the glasses and at the camera, react to each other with real, different, asynchronous movements. Each of the three reacts to the drink in her own completely different way, as described below; the two tails move in clearly different ways. Only the LEFT one giggles; the CENTER one never laughs or smiles. 0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the CENTER one's glass a little closer to her and pulls back out of the frame before 2 seconds. The LEFT one picks up her own glass first, the other two watch her. 2-5s: The LEFT one puts the five lime green straws from her own glass between her giant lips and sucks: the pink cocktail visibly rises in all five green straws at once and the level in her glass drops fast. She puts the glass down. One second later her emerald tail fin bursts up out of the water two meters behind her and thrashes fast and wildly side to side, slapping the surface again and again and splashing water high. She giggles drunkenly, "hahaha", and sways with a dizzy happy look. The RIGHT one stares at the thrashing tail, the CENTER one watches with a flat face. 5-8s: The RIGHT one picks up her own glass, puts its five neon blue straws between her lips and sucks, the pink rising in all five blue straws, then puts the glass down. Right away she looks sick: her cheeks puff out, she presses her fingers over her lips, her eyes water, she swallows hard. Her deep blue tail rises slowly and heavily out of the water two meters behind her, slaps down hard once, rises again slowly, slaps down a second time, then flops limply onto the surface and slides back under. Next to her the LEFT one is still swaying and giggling quietly. 8-12s: The CENTER one pulls the five yellow straws out of her glass, drops them on the edge, and drinks the whole cocktail straight over the rim in one long gulp without stopping. She puts the empty glass down. Her face doesn't change at all, she just blinks once, her tail stays calm. Then, a second later, the clear turquoise water right around her slowly starts turning pink, the same bright pink as the cocktail, a soft pink cloud spreading out from her body through the water, and her pearl-white tail under the water slowly turns pink too. She keeps the same flat face. The LEFT one stops giggling and the RIGHT one, still holding her lips, both look down at the pink water spreading around her, then at her face, and both slide a little away from her along the edge, staying in the frame. 12-13s: The CENTER one slides her empty glass across the edge toward the camera with two fingers, without a word. 13-15s: Quiet held moment: the CENTER one looks straight into the lens with a flat, sober face, floating in her pink cloud of water, her tail pink under the surface; the LEFT and RIGHT ones a little further away from her on both sides, still in the frame, the LEFT one swaying slightly, the RIGHT one still a little sick, fingers near her lips, both side-eyeing the pink water. No one speaks. Sound: pool filter hum, soft water splashes, ice clinking in the glasses, loud slurping through many straws, one long gulp, fast wild tail slapping and splashing from the LEFT one's tail, two slow heavy tail slaps from the RIGHT one's tail, drunken giggles from the LEFT one only, the glass sliding on stone, the man's quiet stunned breathing. Faces stay sharp and lit by the flash the whole time.

POV: it's 3am in Miami and you're the guy feeding a live octopus to mermaids Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Menu so far: sushi, caviar, pasta. Tonight the food fought back. Trick for faces that don't look plastic: describe the skin, not the beauty. Pores, baby hairs, water drops under the flash. Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a small wet white plate with no ice on it and one live reddish-purple octopus, about the size of a hand, sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails stretch out in the water far behind them, so it is obvious they are mermaids. Tail fins only ever appear far behind them near the left or right edge of the frame; a tail fin never appears behind or above anyone's head. Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real. Three clearly different women, not twins, new faces: LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail. CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail. RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail. The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear. The octopus: there is exactly one octopus in the whole video; it never duplicates or splits. It moves slowly and softly like a real octopus, it never jumps. It stays whole and alive the entire video: its body is smooth and evenly reddish-purple all over at every moment, with no white spots, no pale patches and no missing pieces. Nothing white ever sticks to it. Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible. Important: nobody laughs at any point. All three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the octopus and at the camera, shift their weight on the edge, react to each other with real, different, asynchronous movements. 0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the plate with the live octopus a little closer to them and pulls back out of the frame before 2 seconds. The octopus slowly moves its tentacles on the wet plate. The CENTER one leans in to look at it and says slowly: "Is it alive?" The LEFT one wrinkles her nose, the RIGHT one leans closer, curious. 2-5s: The CENTER one leans her face low over the plate, very close to the octopus. The octopus lifts its tentacles, grabs onto her face and pulls itself up onto her mouth, its round body covering her giant lips, its tentacles spreading across her cheeks and chin. Her eyes go wide, she grabs the octopus with both hands. The LEFT one jerks back, the RIGHT one covers her own mouth with her hand, both watching. 5-8s: The CENTER one pulls the octopus away from her face with both hands; it stretches, holding on by suction, then comes off with a loud wet POP. She holds the whole, unharmed octopus up in the air in front of her, wriggling, its body smooth and evenly colored. Only now her lips change: they are visibly even bigger and puffier than before, glossy, slightly redder, with a faint ring of small round suction marks around her mouth. The other two still have their original lips and no marks. 8-11s: The CENTER one, still holding the octopus up in one hand, touches her new bigger lips with the fingertips of her other hand, eyes wide, then looks straight into the lens and says slowly, impressed: "Oh... I like it." The LEFT and RIGHT ones stare at her lips, then at each other, with open envy. 11-15s: The LEFT one takes the whole octopus out of the CENTER one's hand and presses it onto her own lips with both hands, holding it there, eyes open, looking at the camera over it. The RIGHT one reaches over and taps the LEFT one's shoulder impatiently and says slowly: "My turn." The CENTER one keeps touching her lips, pleased. Sound: pool filter hum, water splashes, soft wet sounds of tentacles, one loud wet suction pop, lazy breathy voices, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.

POV: it's 3am in Miami and you're the guy feeding spaghetti to mermaids Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Menu so far: sushi, caviar, pasta. Taking suggestions for what they get next. Lips this stiff are the best lip sync hack I know. The model can't get a mouth wrong if it barely moves. Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a big low flat white plate piled high with spaghetti in red tomato sauce sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails are clearly visible in the water right behind them, and their big tail fins flick up out of the water from time to time, so it is obvious they are mermaids. Three clearly different women, not twins: LEFT: honey blonde with wet beach waves, bronzed skin, peach glossy lips, coral tail. CENTER: dark-skinned beauty with long sleek straight black hair, plum glossy lips, violet tail, calm and bored. RIGHT: fair-skinned girl with long straight strawberry-red hair and light freckles, cherry-red glossy lips, silver tail. The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear. Important: they speak slowly, slurred and muffled, barely moving their giant lips, as if their mouths can't open. Nobody laughs at any point. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the food and at the camera, shift their weight on the edge, flick their tails, react to each other with real, different, asynchronous movements, like real greedy animals around food. 0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand reaches in over the spaghetti plate and sprinkles a big pinch of freshly grated parmesan from his fingers, white cheese snowing down onto the red sauce. The CENTER one says slowly through barely moving lips, muffled: "Feed us." The LEFT and RIGHT ones lean toward the plate, and a coral tail fin and a silver tail fin slap the water behind them. 2-5s: The man's hand pulls back out of the frame. The LEFT one pinches the end of a spaghetti strand with her long nails and tries to slurp it, but her swollen stiff lips can't suck it in, the noodle just slides around on her lips, red sauce smearing over her lips and chin. She mumbles, muffled: "It won't go in." At the same time the RIGHT one puts the other end of a spaghetti strand to her lips and tries to slurp too, sauce on her chin. The CENTER one watches them with a bored face. 5-9s: It is the same single long spaghetti strand: the LEFT and RIGHT ones both slowly slurp it from opposite ends, the strand rises off the plate and stretches tight in the air right in front of the CENTER one's face. Slurping, the LEFT and RIGHT ones lean forward and inward over the plate, their faces moving toward each other right in front of the CENTER one's face, their giant lips pushed forward, their eyes widening as they realize they are about to meet. The CENTER one looks down at the strand hanging right in front of her nose, unimpressed, her violet tail swishing behind her. 9-12s: The CENTER one takes one huge breath and sucks in with her giant lips like a vacuum cleaner: the whole pile of spaghetti flies off the plate straight into her mouth in one long slurping rush, sauce splattering, and the very last noodle sucked in is the shared strand, which zips out of the LEFT and RIGHT ones' lips and disappears into the CENTER one's mouth. The plate is left empty and clean. 12-15s: The LEFT and RIGHT ones stay leaning forward with their giant lips still pushed out into empty air, sauce on their chins, blinking, then slowly turn and stare at the CENTER one. The CENTER one, cheeks full, chews calmly, wipes the corner of her lips with one long nail, looks straight into the lens and says slowly, muffled: "Next." Behind them a tail fin slaps the water. Sound: pool filter hum, water splashes, wet slurping, one long loud vacuum-like slurp, muffled slurred voices, tail slaps, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.

POV: it's 3am in Miami and you're the guy feeding caviar to mermaids Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Two of them saw $300 caviar. One of them saw relatives. Every group has one who reads the label. Is it cannibalism if you're only half fish? Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low and close, about half a meter from their faces. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge; a low flat silver tray with crushed ice sits on the edge between the RIGHT mermaid and the camera, at the right side of the frame, holding two big open round caviar tins, one full of glossy black caviar and one full of bright orange-red salmon roe, and a few small blinis topped with heaps of black caviar; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens, their shimmering fish tails visible under the water behind them. All three are beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Three clearly different women, not twins: LEFT: honey blonde with wet beach waves, bronzed skin, peach glossy lips, coral tail. CENTER: dark-skinned beauty with long sleek straight black hair, plum glossy lips, violet tail. RIGHT: fair-skinned girl with long straight strawberry-red hair and light freckles, cherry-red glossy lips, silver tail, quiet and serious. The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear. Important: they speak slowly, slurred and muffled, barely moving their giant lips, as if their mouths can't open. Nobody laughs at any point. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the food and at the camera, shift their weight on the edge, flick their tails under the water, react to each other with real, different, asynchronous movements. The LEFT and CENTER ones are greedy like real animals around food. The RIGHT one never eats anything: she watches the caviar and the other two with growing worry. 0-2s: The flash hits all three faces at once, faces big in the frame. The CENTER one leans in closest and says slowly through barely moving lips, muffled: "Feed us." At the same time the LEFT one pushes her shoulder against the CENTER one to get closer to the lens, and the RIGHT one stares at the caviar tins on the tray next to her with a worried frown, her tail swishing under the water. 2-5s: The man's hand holds out a blini heaped with black caviar to the LEFT one. She snatches it and tries to push it into her mouth, but her swollen lips barely part, the blini folds and the black caviar smears across her lips and chin, little black eggs sticking to her peach gloss. She mumbles, muffled: "It doesn't fit." Meanwhile the CENTER one grabs at the man's now empty hand with her nails, and the man pulls his hand back out of the frame. The RIGHT one looks from the smeared caviar on the LEFT one's lips to the tins, more and more upset. 5-8s: The CENTER one reaches across, grabs the tin of orange-red salmon roe from the tray and tips it straight into her mouth like a drink; only the CENTER one touches this tin. Her stiff swollen lips can't take it all, the orange eggs pour over her lips and drip down her chin, her cheeks balloon, she chews hard. The LEFT one licks the black caviar off her own fingers and reaches for the tin too but can't get it; the CENTER one shoves her hand away and splashes water at her with her tail. The RIGHT one watches them in horror, then quietly pulls the tray with the black caviar tin closer to herself. 8-11s: The RIGHT one hugs the silver tray to her chest with both arms, looks down at the black caviar tin, not at the camera, and says to it slowly and seriously through her stiff lips, muffled: "I'll save you." She sinks under the water with the tray, ice cubes scattering on the surface, her silver tail flipping up and slapping the surface. 11-13s: The LEFT and CENTER ones turn their heads sharply to the bubbles where she disappeared, mouths still full, caviar smeared all over their lips and chins. They look at each other, then keep chewing, the CENTER one still holding the empty orange tin and scraping the last eggs out with her finger, the LEFT one licking her lips, both tails swishing under the water. Sound: pool filter hum, water splashes, wet chewing, muffled slurred voices, ice cubes clinking, one loud tail slap, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.

POV: the mermaids at your Miami hotel pool found out about donuts Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 I brought one tray. The brunette took it under the water. The other two are still waiting for me to come back. Which one would you feed first? Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge directly in front of them, camera facing them straight on, head-on at their face level, low and close, about half a meter from their faces; the camera never moves to the side. His hand, when it appears, is a large masculine man's hand with thick fingers, short nails, a hairy wrist and a steel wristwatch. Layout locked for the whole video: the three mermaids are in the water right in front of him in one row, leaning on the same pool edge, all three faces fully visible and never covered by anything; a low flat silver tray with a dozen donuts dusted with powdered sugar lies flat on the edge at the far right side of the frame, next to the RIGHT mermaid's elbow, below their faces; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens, their shimmering fish tails visible under the water behind them. All three are stunning, beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Three clearly different women, not twins: LEFT: honey-blonde with long wet waves, peach glossy lips, coral tail. CENTER: tanned woman with long wet pastel-pink hair, mauve glossy lips, violet tail. RIGHT: pale brunette with a sleek wet jet-black bob, cherry-red glossy lips, silver tail, sly and quiet, never speaks. Important: there are only two spoken lines in the whole video. They are said casually and naturally, in a quiet ordinary voice, slightly muffled by the giant lips, like real people talking, not acting for the camera. Nobody laughs at any point. They eat with real pleasure, hungry but not crazy. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the donuts and at the camera, shift their weight on the edge, flick their tails under the water, with real, different, asynchronous movements. Sugar only gets on their lips physically from the donuts: wherever a donut presses against their lips it leaves powdered sugar there, and crumbs fall onto their chins. 0-2s: The flash hits all three faces at once, faces big in the frame, their lips clean and glossy. The CENTER one sees the tray and says quietly, muffled: "Ooh... donuts." At the same time the LEFT one pushes her shoulder against the CENTER one to get closer, and the RIGHT one is already eyeing the tray next to her elbow, her tail swishing under the water. 2-5s: The man's hand holds out a donut to the LEFT one, then pulls back out of frame. She takes it and tries to bite it, but her stiff giant lips barely part, so the donut presses and rubs against her lips, leaving powdered sugar smeared across them, and she manages a small bite and chews slowly with her eyes half closed, savoring it. The CENTER one takes a donut from the tray and pushes it against her lips, sugar sticking to her lips where it touched, crumbs falling on her chin. The RIGHT one quietly takes one too and nibbles it, glancing between the others and the camera. 5-8s: The LEFT one tries to wipe the sugar off her lips with the back of her hand but only smears it wider across her lips and cheek. The CENTER one finishes hers and reaches toward the tray for another, and the LEFT one reaches across the CENTER one for the same donut; the CENTER one gets it first and gives her a look. The RIGHT one, still chewing, slowly hooks the tray edge with one long nail. 8-11s: The RIGHT one slides the whole tray off the pool edge and sinks under the water with it, her silver tail flipping up and slapping the surface. The LEFT and CENTER ones notice too late: both turn their heads sharply, the CENTER one lunges after her with the donut still in her hand, then gives up and comes back to the edge; the LEFT one slaps the water in frustration, waves splash toward the camera. 11-15s: The LEFT one, sugar smeared across her giant lips, turns back to the camera and says quietly and casually, muffled, without any acting: "We want more." The CENTER one takes a bite of the donut in her hand and keeps chewing while staring at the bubbles rising where the RIGHT one disappeared, her tail thrashing under the water. Sound: pool filter hum, water splashes, soft chewing, muffled quiet voices, one loud tail slap, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.

POV: you fed oysters to the mermaids at a Miami hotel pool at 2am Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 The nails cost more than the hotel room. They still couldn't open an oyster. The blonde said two words all night. The second one was "pearl." Which one already asked what it's worth? Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low and close, about half a meter from their faces; his hand, when it appears, is a large masculine man's hand with thick fingers, short nails, a hairy wrist and a steel wristwatch. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same wet stone pool edge, all three faces fully inside the frame; a small round silver plate with a dozen fresh oysters on a thin layer of ice sits low on the edge at the right side of the frame, next to the RIGHT mermaid, never covering their bodies; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens. Their human bodies turn into shimmering scaled fish tails right at the waterline at their waists, the scales clearly visible just under the surface near the edge, and their big tail fins keep rising out of the water behind them and slapping down on the surface, lit by the flash, so the tails are clearly visible throughout the video. All three are stunning, slim glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, long fake lashes, heavy contour makeup, and extremely long stiletto acrylic nails, about 8 cm long, with rhinestones, that click and scrape loudly on the oyster shells. Three clearly different women, not twins: LEFT: tanned brunette with long wet chocolate-brown hair, peach glossy lips, lilac tail. CENTER: light-skinned Black woman with long wet honey-blonde curls, berry glossy lips, silver tail. RIGHT: pale woman with a sleek wet jet-black bob, cherry-red glossy lips, deep-purple tail. Important: because of the giant lips their speech is muffled and slurred, lips barely moving and smacking, but the words are short simple English words that are still understandable. Nobody laughs at any point. This is real, messy, unchoreographed footage, not a performance: they are greedy and competitive like hungry seagulls, they grab, snatch, shove and elbow each other, interrupt each other, move at different speeds, drop things, and never move in unison or take turns. Nobody poses, nobody holds a dramatic look at the camera or at each other. All three are busy every second. 0-2s: The flash hits all three faces at once, and behind them the lilac tail fin flips up out of the water and slaps down. The man's large hairy hand with the wristwatch comes in holding an open oyster; the LEFT and CENTER ones lunge for it, the CENTER one gets it first, says muffled: "Gimme," and the hand pulls back out of frame. The LEFT one shoves her shoulder to get closer, while the RIGHT one is already grabbing oysters off the plate next to her. 2-5s: Feeding frenzy. The CENTER one slurps her oyster loudly, juice running down her chin. The LEFT one reaches across the CENTER one toward the plate, grabs an oyster and sucks it out messily, half of it sliding down her lips, while the CENTER one elbows her arm away. The RIGHT one grabs two more at once and slurps one while holding the other against her chest so nobody takes it, her purple tail fin swishing up behind her. Empty shells get dropped into the pool, nails clacking on shells, water splashing. 5-8s: The CENTER one grabs another oyster from the plate, sucks it in too hard and too fast, gulps, and starts choking for real: coughing hard, cheeks puffed, eyes watering, slapping the pool edge with her palm, her silver tail thrashing up out of the water behind her and splashing. The LEFT one, still chewing, smacks her on the back hard and fast. The RIGHT one keeps eating without stopping and pulls the plate closer to herself. 8-10s: With one violent cough, a small shiny white pearl shoots out of the CENTER one's lips and clicks onto the wet stone edge right in front of the lens. She slaps her palm down on it instantly and picks it up in her fist. The others gasp loudly one after another, overlapping, eyes huge, and the CENTER one says muffled but clear: "A pearl!" 10-15s: Instant chaos, no pause. The RIGHT one starts tearing oysters open with her long nails, checking inside, while the LEFT one lunges across the CENTER one to get to the plate and the CENTER one shoves her back with her shoulder. Both of them dig through the plate, shoving each other, tossing empty shells over their shoulders into the pool, ice flying, their tail fins slapping the water behind them and splashing toward the camera, mumbling over each other, muffled: "Mine, mine, mine." The CENTER one clutches the pearl in one fist against her chest and with her other hand also grabs an oyster and digs into it, searching for another one. The video ends in the middle of the chaos, nobody stops or looks at the camera. Sound: pool filter hum, water splashes, heavy tail slaps on the water, loud wet slurping, long nails clicking and scraping on shells, ice clattering, muffled slurred voices talking over each other, hard real coughing, a sharp click of the pearl on stone, loud overlapping gasps, frantic clacking of shells, empty shells plopping into the water, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.

POV: you fed sushi to the mermaids at a Miami hotel pool at 2am Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 The lips cost more than the hotel room. The sushi still didn't fit. The redhead didn't say a word. Just took the whole tray and left. Which one is the actual problem? Prompt: Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low and close, about half a meter from their faces. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge; a black lacquer sushi tray full of nigiri and rolls sits on the edge between the RIGHT mermaid and the camera, at the right side of the frame; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights. The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens, their shimmering fish tails visible under the water behind them. All three are glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Three clearly different women, not twins: LEFT: platinum blonde with sleek wet hair, pink glossy lips, baby-blue tail. CENTER: tanned Latina with long black wet hair, nude glossy lips, gold-and-bronze tail. RIGHT: pale redhead with wet copper curls, red glossy lips, emerald-green tail, sly and quiet. Important: they speak slowly, slurred and muffled, barely moving their giant lips, as if their mouths can't open. Nobody laughs at any point. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the food and at the camera, shift their weight on the edge, flick their tails under the water, react to each other with real, different, asynchronous movements, like real greedy animals around food. 0-2s: The flash hits all three faces at once, faces big in the frame. The CENTER one leans in closest and says slowly through barely moving lips, muffled: "Feed us." At the same time the LEFT one pushes her shoulder against the CENTER one to get closer to the lens, and the RIGHT one is already eyeing the sushi tray next to her, her tail swishing under the water. 2-5s: The man's hand holds out a salmon nigiri to the LEFT one. She snatches it and tries to push it into her mouth, but her swollen lips barely part, the rice squashes and smears across her lips and chin, the fish slides off. She mumbles, muffled: "It doesn't fit." Meanwhile the CENTER one grabs at the man's now empty hand with her nails, glaring at the LEFT one, and the RIGHT one quietly slides closer to the tray, glancing between the others and the camera. 5-8s: The CENTER one grabs a whole sushi roll from the tray and pushes it into her mouth with her fingers, forcing it through her stiff swollen lips, her lips stretching with effort, her cheeks ballooning, she chews hard. The LEFT one, trying to wipe the rice off her chin but only smearing it more, reaches over to pull the roll out of the CENTER one's mouth; the CENTER one shoves her hand away and splashes water at her with her tail. The RIGHT one watches them fight and slowly hooks the tray edge with one long nail. 8-11s: The RIGHT one slides the whole sushi tray off the pool edge and sinks under the water with it, her green tail flipping up and slapping the surface. The LEFT and CENTER ones notice too late: both turn their heads sharply, the CENTER one lunges after her with her cheeks still full, then gives up and comes back to the edge; the LEFT one slaps the water in frustration, waves splash toward the camera. 11-13s: The LEFT one, rice still smeared all over her lips and chin, turns back and looks straight into the lens with a serious face and says slowly, muffled: "Fank you." The CENTER one keeps chewing with puffed cheeks while staring angrily at the bubbles rising where the RIGHT one disappeared, her tail thrashing under the water. Sound: pool filter hum, water splashes, wet chewing, muffled slurred voices, one loud tail slap, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.

Left: a dad who's had 3 beers. Right: the same dad, according to AI. Tested Genzo on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Honest notes from the lab: Every kick, jump and arm flail landed on the same frame. Watch them side by side, it's almost creepy. One photo of the character, one reference clip. That's the whole input. What broke: the face. I uploaded a blonde lifeguard and got the dad's face on her body. So technically it's the same guy, just in a red swimsuit. Honestly I'm not even mad, it's funnier this way. To be fair, I ran it with no prompt at all. With a prompt telling it to replace the face too, it would probably come out clean. Testing that next. Who should take over the dad's dance floor next?

POV: you opened the door expecting kids and got three cats with better skin than you Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, prompt and setup in the replies 👇 The ginger one is fine. The white one didn't touch the candy, just stared at me like I owed her rent. Night 5 of feeding things that shouldn't exist. Full prompt below, steal it. Which one gets the spare key?

@Orvexiumx @makeugc

POV: you brought gummy worms to a Medusa Halloween party Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 Should've brought chips 💀 Who's sitting next to them? Prompt: Real amateur iPhone video, vertical, filmed handheld at night at a crowded Halloween house party by someone crouching in front of a couch, the phone held at face level very close to the two women on the couch. Harsh direct phone flash mixed with warm orange string lights and flickering candles inside carved pumpkins in the background, fake cobwebs on the walls, adult guests in Halloween costumes blurred behind them, shaky handheld camera, auto-exposure flicker, visible digital noise and grain, slight motion blur, candid unedited footage, no cinematic color grading, messy and unpolished, nothing symmetrical, looks like a real video posted on social media. From the very first frame, two different beautiful young women sit side by side on the couch, close to the camera, they do not look alike, both are real gorgons like Medusa. The woman on the left has tanned skin, freckles, green eyes, red lipstick and wears a red velvet dress; instead of hair, dozens of thin live green and black snakes of different lengths grow from her head. The woman on the right has pale skin, dark eyes, a small nose piercing, black lipstick and wears a black lace dress; instead of hair, dozens of thin live red-and-black striped snakes of different lengths grow from her head. The snakes are real living snakes with real snake heads, shiny scales and flicking tongues, each snake moving on its own in a different direction, constantly writhing, curling, rising and dropping, never still, clearly visible under the flash. Both women hold their cupped hands up in front of their faces, and the filmer's hand enters the frame with a clear plastic bag of colorful gummy worms and pours the whole bag into their hands. The woman on the left quickly puts a gummy worm into her mouth, and one of her own snakes instantly snatches it right out of her lips. Then chaos: the snakes from both heads strike at the gummy worms in their hands one after another at different moments, chaotically, in all directions, snakes from the left head steal worms from the right woman's hands and fight with her snakes, hissing, gummy worms flying, the two snake hairdos tangling together in several messy places at once. The women's heads get yanked toward each other and stuck together by the tangled snakes. The woman on the left is furious, yanking her head and yelling at her own snakes, while the woman on the right first freezes in shock, then bursts out laughing so hard she snorts, a moment later the left woman cracks and starts laughing too, the snakes still chewing gummy worms and writhing around their faces, the camera shaking because the filmer is laughing. Real physics of the snakes and their movement, natural sounds only: hissing snakes, plastic bag rustling, angry yelling, snorting laughter, the filmer's laughter, muffled Halloween party music and chatter in the background.

POV: you took the forest road home on Halloween Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇 I wanted a horror moment. It went somewhere else 💀 Would you stop the car? Prompt: Real amateur iPhone video, vertical, filmed handheld from the driver's seat of a car driving at moderate speed along a narrow dark forest road at night, the phone pointed through the windshield, the car's headlights lighting up the road and tall pine trees on both sides, everything outside the headlights pitch black, the driver's side window on the left is closed. Shaky handheld camera, phone camera night noise and grain, auto-exposure flicker, slight motion blur, dashboard faintly visible at the bottom of the frame, candid unedited footage, no cinematic color grading, looks like a real video posted on social media, the tense atmosphere of a horror movie. The creature in this video is a deer centaur, not an ordinary deer: the upper body of a beautiful young woman from the waist up joined to the full body of a deer below the waist. Her face, shoulders, arms and torso are completely human, with realistic skin; below the waist she has the body of a deer with brown fur, four thin deer legs with hooves and a short fluffy white tail. Her head is fully human: a pretty young woman's face, human lips and nose, huge dark glossy eyes, long messy brown hair, soft brown deer ears on top of her head and large velvet antlers. She wears a torn white tank top. In the very first second, the deer centaur suddenly leaps out of the darkness on the right straight into the headlights just one meter in front of the car's bumper, the car almost hits her, the driver slams the brakes, the tires screech, the phone jerks hard forward, and she skids on her hooves and stops on the road right in front of the car, slightly to the left, fully lit by the bright headlights. The car stops with the engine idling. She turns to face the car, furious, and yells at the driver through the windshield, pointing her finger straight at the camera and angrily stamping her front hoof on the asphalt, her voice muffled by the glass: "Are you crazy?! You almost killed me! Watch where you're—". The phone stays pointed at her through the windshield while the driver's side window slides down and the driver's free hand reaches out of the window holding an open paper bag of french fries. She stops mid-sentence, her nostrils twitch, her deer ears turn toward the bag, and she trots on her four legs toward the driver's open window, the phone turns left to follow her. She bends down to the open window, her antlers bumping the roof of the car, the phone's flash turns on, and her face is right at the open window close to the camera under the harsh direct phone flash, realistic skin texture, her eyes glowing with animal eyeshine in the flash. She greedily grabs a big handful of fries from the bag and stuffs them all into her mouth at once, cheeks puffed full, chewing hungrily with her mouth full while still glaring angrily into the camera and mumbling something, then immediately grabs a second big handful and shoves it in too, fries sticking out of her mouth. Suddenly she snatches the whole paper bag out of his hand, straightens up, gallops forward along the car and leaps across the road in front of the car through the bright headlights from left to right, the phone turns back to the windshield to follow her, and she disappears into the dark forest on the right, only her fluffy white tail flashing in the headlights for a moment. Real physics, realistic lighting, natural sounds only: tires screeching, the driver's heavy shocked breathing, engine idling, her angry yelling in a young woman's voice muffled through the windshield, crickets and night forest ambience, the hum of the window motor, loud greedy chewing and angry mumbling with a full mouth, paper bag crinkling, hooves clicking on the asphalt, no music.

POV: the mermaids found out it's your birthday Seedance 2.5 on @makeugc. Same test as last time, but I gave them cake. Big mistake... Would you invite them to your party? Prompt: Real amateur iPhone video, vertical, filmed handheld at night by someone walking up to a large steaming hot tub at a backyard house party at 1am, the phone held at chest level. Harsh direct phone flash mixed with the blue glow of the hot tub lights and warm string lights in the background, thick white steam rising from the water, shaky handheld camera, auto-exposure flicker, visible digital noise and grain, slight motion blur, candid unedited footage, no cinematic color grading, looks like a real video posted on social media. From the very first frame, through the thick steam a huge realistic fish tail with wet iridescent scales violently erupts high out of the water and slams down onto the surface with a loud heavy smack, like a whale tail slap, exploding the water into a massive splash that sprays over the edge of the tub but does not reach the lens, then slams down a second time. The filmer steps up to the edge of the tub, and suddenly two beautiful young mermaids with long wet hair and realistic skin texture, wearing bikini tops, burst up out of the bubbling water side by side right in front of the camera, faces almost touching the lens, laughing hysterically with slightly unhinged party energy, their fish tails thrashing in the water behind them. The filmer's free hand enters the frame and sets a round white birthday cake on a paper plate with lit candles down on the wet edge of the tub right in front of them. For a second both mermaids freeze with wide eyes and open mouths, then they throw themselves onto the cake like starving animals, elbows on the edge, shoving their faces straight into it, the candles go out and fall over as they hit the cake, and they devour it greedily with their mouths and bare hands, tearing off huge chunks, white frosting and sponge smeared all over their faces, noses, cheeks, shoulders and wet hair, the extinguished candles stuck in their tangled wet hair, crumbs and cream falling into the foamy water, both shoving each other for more and laughing with their mouths full. At the end one mermaid lifts her face to the camera, completely covered in white frosting with an extinguished candle stuck in her hair, cheeks puffed with cake, laughing so hard that cake falls out of her mouth, she covers her mouth with her cream-covered hand and keeps laughing right at the lens, while the other one next to her keeps eating from the plate. Real physics of water, steam, wet hair and soft cake, natural sounds only: bubbling jets, heavy tail smacks, splashing, loud hysterical laughter and muffled laughter through full mouths, muffled party music from a speaker in the background.

POV: you went for a late swim Seedance 2.5 on @makeugc. I just wanted to test how real it looks. Now I can't unsee it 💀 Would you feed them? Prompt: Real amateur iPhone video, vertical, filmed handheld at night by someone crouching at the edge of a hotel swimming pool at 2am, the phone held low at water level. Harsh direct phone flash mixed with the turquoise glow of the underwater pool lights, shaky handheld camera, auto-exposure flicker, visible digital noise and grain, slight motion blur, candid unedited footage, no cinematic color grading, looks like a real video posted on social media. From the very first frame, two beautiful young women with long wet hair and realistic skin texture, wearing bikini tops, are in the water right next to the pool edge, laughing hysterically with slightly unhinged energy, and behind them their large realistic fish tails with wet iridescent scales and fins slap and flick out of the water, clearly visible under the flash. They push closer to the camera and rest their elbows on the wet tiles, faces almost touching the lens, giggling. The filmer's hand enters the frame holding a few pieces of sushi on the open palm; the two mermaids snap at the sushi with their mouths like playful seals, competing for it, one steals a piece from the other, both chewing and laughing with their mouths full, grains of rice stuck to their lips and cheeks. Then one of them excitedly slaps her tail on the water and a big splash hits the camera, water droplets on the lens, both laughing loudly. Real physics of water and wet hair, natural sounds only: splashing, laughter, giggles, no music.

Step 2: same image, same model, two different prompts. Seedance 2.5 on @makeugc Left: my first prompt. She barely moves. Right: I rewrote it. Fast tempo, 3 specific tricks, full 360 camera orbit. The model wasn’t the problem. My prompt was.