Feeding mermaids at 2am, one model test at a time 🧜♀️ AI Video Creator | Model Tester | Tools Breakdowns Free prompts, refs and workflows
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POV: it's 3am in Miami and you're the guy feeding caviar to mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Two of them saw $300 caviar. One of them saw relatives.
Every group has one who reads the label.
Is it cannibalism if you're only half fish?
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low and close, about half a meter from their faces. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge; a low flat silver tray with crushed ice sits on the edge between the RIGHT mermaid and the camera, at the right side of the frame, holding two big open round caviar tins, one full of glossy black caviar and one full of bright orange-red salmon roe, and a few small blinis topped with heaps of black caviar; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens, their shimmering fish tails visible under the water behind them. All three are beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Three clearly different women, not twins:
LEFT: honey blonde with wet beach waves, bronzed skin, peach glossy lips, coral tail.
CENTER: dark-skinned beauty with long sleek straight black hair, plum glossy lips, violet tail.
RIGHT: fair-skinned girl with long straight strawberry-red hair and light freckles, cherry-red glossy lips, silver tail, quiet and serious.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
Important: they speak slowly, slurred and muffled, barely moving their giant lips, as if their mouths can't open. Nobody laughs at any point. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the food and at the camera, shift their weight on the edge, flick their tails under the water, react to each other with real, different, asynchronous movements. The LEFT and CENTER ones are greedy like real animals around food. The RIGHT one never eats anything: she watches the caviar and the other two with growing worry.
0-2s: The flash hits all three faces at once, faces big in the frame. The CENTER one leans in closest and says slowly through barely moving lips, muffled: "Feed us." At the same time the LEFT one pushes her shoulder against the CENTER one to get closer to the lens, and the RIGHT one stares at the caviar tins on the tray next to her with a worried frown, her tail swishing under the water.
2-5s: The man's hand holds out a blini heaped with black caviar to the LEFT one. She snatches it and tries to push it into her mouth, but her swollen lips barely part, the blini folds and the black caviar smears across her lips and chin, little black eggs sticking to her peach gloss. She mumbles, muffled: "It doesn't fit." Meanwhile the CENTER one grabs at the man's now empty hand with her nails, and the man pulls his hand back out of the frame. The RIGHT one looks from the smeared caviar on the LEFT one's lips to the tins, more and more upset.
5-8s: The CENTER one reaches across, grabs the tin of orange-red salmon roe from the tray and tips it straight into her mouth like a drink; only the CENTER one touches this tin. Her stiff swollen lips can't take it all, the orange eggs pour over her lips and drip down her chin, her cheeks balloon, she chews hard. The LEFT one licks the black caviar off her own fingers and reaches for the tin too but can't get it; the CENTER one shoves her hand away and splashes water at her with her tail. The RIGHT one watches them in horror, then quietly pulls the tray with the black caviar tin closer to herself.
8-11s: The RIGHT one hugs the silver tray to her chest with both arms, looks down at the black caviar tin, not at the camera, and says to it slowly and seriously through her stiff lips, muffled: "I'll save you." She sinks under the water with the tray, ice cubes scattering on the surface, her silver tail flipping up and slapping the surface.
11-13s: The LEFT and CENTER ones turn their heads sharply to the bubbles where she disappeared, mouths still full, caviar smeared all over their lips and chins. They look at each other, then keep chewing, the CENTER one still holding the empty orange tin and scraping the last eggs out with her finger, the LEFT one licking her lips, both tails swishing under the water.
Sound: pool filter hum, water splashes, wet chewing, muffled slurred voices, ice cubes clinking, one loud tail slap, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.
🤝 Paid partnership · 🤖 Made with AI
POV: the mermaids at your Miami hotel pool found out about donuts
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
I brought one tray. The brunette took it under the water.
The other two are still waiting for me to come back.
Which one would you feed first?
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge directly in front of them, camera facing them straight on, head-on at their face level, low and close, about half a meter from their faces; the camera never moves to the side. His hand, when it appears, is a large masculine man's hand with thick fingers, short nails, a hairy wrist and a steel wristwatch. Layout locked for the whole video: the three mermaids are in the water right in front of him in one row, leaning on the same pool edge, all three faces fully visible and never covered by anything; a low flat silver tray with a dozen donuts dusted with powdered sugar lies flat on the edge at the far right side of the frame, next to the RIGHT mermaid's elbow, below their faces; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms, close to the lens, their shimmering fish tails visible under the water behind them. All three are stunning, beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Three clearly different women, not twins:
LEFT: honey-blonde with long wet waves, peach glossy lips, coral tail.
CENTER: tanned woman with long wet pastel-pink hair, mauve glossy lips, violet tail.
RIGHT: pale brunette with a sleek wet jet-black bob, cherry-red glossy lips, silver tail, sly and quiet, never speaks.
Important: there are only two spoken lines in the whole video. They are said casually and naturally, in a quiet ordinary voice, slightly muffled by the giant lips, like real people talking, not acting for the camera. Nobody laughs at any point. They eat with real pleasure, hungry but not crazy. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the donuts and at the camera, shift their weight on the edge, flick their tails under the water, with real, different, asynchronous movements. Sugar only gets on their lips physically from the donuts: wherever a donut presses against their lips it leaves powdered sugar there, and crumbs fall onto their chins.
0-2s: The flash hits all three faces at once, faces big in the frame, their lips clean and glossy. The CENTER one sees the tray and says quietly, muffled: "Ooh... donuts." At the same time the LEFT one pushes her shoulder against the CENTER one to get closer, and the RIGHT one is already eyeing the tray next to her elbow, her tail swishing under the water.
2-5s: The man's hand holds out a donut to the LEFT one, then pulls back out of frame. She takes it and tries to bite it, but her stiff giant lips barely part, so the donut presses and rubs against her lips, leaving powdered sugar smeared across them, and she manages a small bite and chews slowly with her eyes half closed, savoring it. The CENTER one takes a donut from the tray and pushes it against her lips, sugar sticking to her lips where it touched, crumbs falling on her chin. The RIGHT one quietly takes one too and nibbles it, glancing between the others and the camera.
5-8s: The LEFT one tries to wipe the sugar off her lips with the back of her hand but only smears it wider across her lips and cheek. The CENTER one finishes hers and reaches toward the tray for another, and the LEFT one reaches across the CENTER one for the same donut; the CENTER one gets it first and gives her a look. The RIGHT one, still chewing, slowly hooks the tray edge with one long nail.
8-11s: The RIGHT one slides the whole tray off the pool edge and sinks under the water with it, her silver tail flipping up and slapping the surface. The LEFT and CENTER ones notice too late: both turn their heads sharply, the CENTER one lunges after her with the donut still in her hand, then gives up and comes back to the edge; the LEFT one slaps the water in frustration, waves splash toward the camera.
11-15s: The LEFT one, sugar smeared across her giant lips, turns back to the camera and says quietly and casually, muffled, without any acting: "We want more." The CENTER one takes a bite of the donut in her hand and keeps chewing while staring at the bubbles rising where the RIGHT one disappeared, her tail thrashing under the water.
Sound: pool filter hum, water splashes, soft chewing, muffled quiet voices, one loud tail slap, waves hitting the edge, the man's quiet stunned breathing. No laughter. Faces stay sharp, close and lit by the flash the whole time.
DevGetsIT | AI video lab retweeted
POV: it's 3am in Miami and you're the guy buying cocktails for mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Every group has three drinkers: the fun one, the sick one, and the one you never invite to the pool again.
Which one are you after two drinks?
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera held at his chest height, about one and a half meters from them, centered and angled a little down at them, so we see their faces, the lit water surface around them and their tails under the water behind them; all three are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, resting their forearms on the same pool edge side by side, floating low with the water up to their collarbones; on the edge in front of them stand three wide glasses of bright pink cocktail with ice, one in front of each mermaid, and in each glass stands a bunch of exactly five thin see-through colored straws: lime green straws in the LEFT one's glass, neon blue straws in the RIGHT one's glass, bright yellow straws in the CENTER one's glass; behind them the bright lit turquoise pool water, clear enough to see into, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails, seashell bikini tops right at the waterline. It is obvious they are mermaids the whole time: under the clear lit turquoise water their long shimmering scaled fish tails are clearly visible stretching out behind them, each tail its own color. When a tail fin comes out of the water, it rises about two meters behind its owner, clearly separated from her head by open water; a tail fin never appears right behind or above anyone's head.
Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real.
Three clearly different women, not twins:
LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail.
CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail.
RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
Lips: the LEFT and RIGHT ones drink only through straws, so their lips stay clean and glossy the whole video. Only the CENTER one gets a few pink drops on her lips and chin, and only after her gulp at 8 seconds.
Water: the pool water stays clear turquoise everywhere until 9 seconds. Only then the water around the CENTER one turns pink, exactly as described below. The pink stays as one soft cloud around her, about a meter wide, and never fills the whole pool; the water around the LEFT and RIGHT ones and the rest of the pool stays clear turquoise.
Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible.
Important: all three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the glasses and at the camera, react to each other with real, different, asynchronous movements. Each of the three reacts to the drink in her own completely different way, as described below; the two tails move in clearly different ways. Only the LEFT one giggles; the CENTER one never laughs or smiles.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the CENTER one's glass a little closer to her and pulls back out of the frame before 2 seconds. The LEFT one picks up her own glass first, the other two watch her.
2-5s: The LEFT one puts the five lime green straws from her own glass between her giant lips and sucks: the pink cocktail visibly rises in all five green straws at once and the level in her glass drops fast. She puts the glass down. One second later her emerald tail fin bursts up out of the water two meters behind her and thrashes fast and wildly side to side, slapping the surface again and again and splashing water high. She giggles drunkenly, "hahaha", and sways with a dizzy happy look. The RIGHT one stares at the thrashing tail, the CENTER one watches with a flat face.
5-8s: The RIGHT one picks up her own glass, puts its five neon blue straws between her lips and sucks, the pink rising in all five blue straws, then puts the glass down. Right away she looks sick: her cheeks puff out, she presses her fingers over her lips, her eyes water, she swallows hard. Her deep blue tail rises slowly and heavily out of the water two meters behind her, slaps down hard once, rises again slowly, slaps down a second time, then flops limply onto the surface and slides back under. Next to her the LEFT one is still swaying and giggling quietly.
8-12s: The CENTER one pulls the five yellow straws out of her glass, drops them on the edge, and drinks the whole cocktail straight over the rim in one long gulp without stopping. She puts the empty glass down. Her face doesn't change at all, she just blinks once, her tail stays calm. Then, a second later, the clear turquoise water right around her slowly starts turning pink, the same bright pink as the cocktail, a soft pink cloud spreading out from her body through the water, and her pearl-white tail under the water slowly turns pink too. She keeps the same flat face. The LEFT one stops giggling and the RIGHT one, still holding her lips, both look down at the pink water spreading around her, then at her face, and both slide a little away from her along the edge, staying in the frame.
12-13s: The CENTER one slides her empty glass across the edge toward the camera with two fingers, without a word.
13-15s: Quiet held moment: the CENTER one looks straight into the lens with a flat, sober face, floating in her pink cloud of water, her tail pink under the surface; the LEFT and RIGHT ones a little further away from her on both sides, still in the frame, the LEFT one swaying slightly, the RIGHT one still a little sick, fingers near her lips, both side-eyeing the pink water. No one speaks.
Sound: pool filter hum, soft water splashes, ice clinking in the glasses, loud slurping through many straws, one long gulp, fast wild tail slapping and splashing from the LEFT one's tail, two slow heavy tail slaps from the RIGHT one's tail, drunken giggles from the LEFT one only, the glass sliding on stone, the man's quiet stunned breathing. Faces stay sharp and lit by the flash the whole time.
🤝 Paid partnership · 🤖 Made with AI
POV: it's 3am in Miami and you're the guy feeding a live octopus to mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Menu so far: sushi, caviar, pasta. Tonight the food fought back.
Trick for faces that don't look plastic: describe the skin, not the beauty. Pores, baby hairs, water drops under the flash.
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a small wet white plate with no ice on it and one live reddish-purple octopus, about the size of a hand, sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails stretch out in the water far behind them, so it is obvious they are mermaids. Tail fins only ever appear far behind them near the left or right edge of the frame; a tail fin never appears behind or above anyone's head.
Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real.
Three clearly different women, not twins, new faces:
LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail.
CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail.
RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
The octopus: there is exactly one octopus in the whole video; it never duplicates or splits. It moves slowly and softly like a real octopus, it never jumps. It stays whole and alive the entire video: its body is smooth and evenly reddish-purple all over at every moment, with no white spots, no pale patches and no missing pieces. Nothing white ever sticks to it.
Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible.
Important: nobody laughs at any point. All three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the octopus and at the camera, shift their weight on the edge, react to each other with real, different, asynchronous movements.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the plate with the live octopus a little closer to them and pulls back out of the frame before 2 seconds. The octopus slowly moves its tentacles on the wet plate. The CENTER one leans in to look at it and says slowly: "Is it alive?" The LEFT one wrinkles her nose, the RIGHT one leans closer, curious.
2-5s: The CENTER one leans her face low over the plate, very close to the octopus. The octopus lifts its tentacles, grabs onto her face and pulls itself up onto her mouth, its round body covering her giant lips, its tentacles spreading across her cheeks and chin. Her eyes go wide, she grabs the octopus with both hands. The LEFT one jerks back, the RIGHT one covers her own mouth with her hand, both watching.
5-8s: The CENTER one pulls the octopus away from her face with both hands; it stretches, holding on by suction, then comes off with a loud wet POP. She holds the whole, unharmed octopus up in the air in front of her, wriggling, its body smooth and evenly colored. Only now her lips change: they are visibly even bigger and puffier than before, glossy, slightly redder, with a faint ring of small round suction marks around her mouth. The other two still have their original lips and no marks.
8-11s: The CENTER one, still holding the octopus up in one hand, touches her new bigger lips with the fingertips of her other hand, eyes wide, then looks straight into the lens and says slowly, impressed: "Oh... I like it." The LEFT and RIGHT ones stare at her lips, then at each other, with open envy.
11-15s: The LEFT one takes the whole octopus out of the CENTER one's hand and presses it onto her own lips with both hands, holding it there, eyes open, looking at the camera over it. The RIGHT one reaches over and taps the LEFT one's shoulder impatiently and says slowly: "My turn." The CENTER one keeps touching her lips, pleased.
Sound: pool filter hum, water splashes, soft wet sounds of tentacles, one loud wet suction pop, lazy breathy voices, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.
POV: it's 3am in Miami and you're the guy buying cocktails for mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Every group has three drinkers: the fun one, the sick one, and the one you never invite to the pool again.
Which one are you after two drinks?
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera held at his chest height, about one and a half meters from them, centered and angled a little down at them, so we see their faces, the lit water surface around them and their tails under the water behind them; all three are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, resting their forearms on the same pool edge side by side, floating low with the water up to their collarbones; on the edge in front of them stand three wide glasses of bright pink cocktail with ice, one in front of each mermaid, and in each glass stands a bunch of exactly five thin see-through colored straws: lime green straws in the LEFT one's glass, neon blue straws in the RIGHT one's glass, bright yellow straws in the CENTER one's glass; behind them the bright lit turquoise pool water, clear enough to see into, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails, seashell bikini tops right at the waterline. It is obvious they are mermaids the whole time: under the clear lit turquoise water their long shimmering scaled fish tails are clearly visible stretching out behind them, each tail its own color. When a tail fin comes out of the water, it rises about two meters behind its owner, clearly separated from her head by open water; a tail fin never appears right behind or above anyone's head.
Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real.
Three clearly different women, not twins:
LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail.
CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail.
RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
Lips: the LEFT and RIGHT ones drink only through straws, so their lips stay clean and glossy the whole video. Only the CENTER one gets a few pink drops on her lips and chin, and only after her gulp at 8 seconds.
Water: the pool water stays clear turquoise everywhere until 9 seconds. Only then the water around the CENTER one turns pink, exactly as described below. The pink stays as one soft cloud around her, about a meter wide, and never fills the whole pool; the water around the LEFT and RIGHT ones and the rest of the pool stays clear turquoise.
Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible.
Important: all three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the glasses and at the camera, react to each other with real, different, asynchronous movements. Each of the three reacts to the drink in her own completely different way, as described below; the two tails move in clearly different ways. Only the LEFT one giggles; the CENTER one never laughs or smiles.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the CENTER one's glass a little closer to her and pulls back out of the frame before 2 seconds. The LEFT one picks up her own glass first, the other two watch her.
2-5s: The LEFT one puts the five lime green straws from her own glass between her giant lips and sucks: the pink cocktail visibly rises in all five green straws at once and the level in her glass drops fast. She puts the glass down. One second later her emerald tail fin bursts up out of the water two meters behind her and thrashes fast and wildly side to side, slapping the surface again and again and splashing water high. She giggles drunkenly, "hahaha", and sways with a dizzy happy look. The RIGHT one stares at the thrashing tail, the CENTER one watches with a flat face.
5-8s: The RIGHT one picks up her own glass, puts its five neon blue straws between her lips and sucks, the pink rising in all five blue straws, then puts the glass down. Right away she looks sick: her cheeks puff out, she presses her fingers over her lips, her eyes water, she swallows hard. Her deep blue tail rises slowly and heavily out of the water two meters behind her, slaps down hard once, rises again slowly, slaps down a second time, then flops limply onto the surface and slides back under. Next to her the LEFT one is still swaying and giggling quietly.
8-12s: The CENTER one pulls the five yellow straws out of her glass, drops them on the edge, and drinks the whole cocktail straight over the rim in one long gulp without stopping. She puts the empty glass down. Her face doesn't change at all, she just blinks once, her tail stays calm. Then, a second later, the clear turquoise water right around her slowly starts turning pink, the same bright pink as the cocktail, a soft pink cloud spreading out from her body through the water, and her pearl-white tail under the water slowly turns pink too. She keeps the same flat face. The LEFT one stops giggling and the RIGHT one, still holding her lips, both look down at the pink water spreading around her, then at her face, and both slide a little away from her along the edge, staying in the frame.
12-13s: The CENTER one slides her empty glass across the edge toward the camera with two fingers, without a word.
13-15s: Quiet held moment: the CENTER one looks straight into the lens with a flat, sober face, floating in her pink cloud of water, her tail pink under the surface; the LEFT and RIGHT ones a little further away from her on both sides, still in the frame, the LEFT one swaying slightly, the RIGHT one still a little sick, fingers near her lips, both side-eyeing the pink water. No one speaks.
Sound: pool filter hum, soft water splashes, ice clinking in the glasses, loud slurping through many straws, one long gulp, fast wild tail slapping and splashing from the LEFT one's tail, two slow heavy tail slaps from the RIGHT one's tail, drunken giggles from the LEFT one only, the glass sliding on stone, the man's quiet stunned breathing. Faces stay sharp and lit by the flash the whole time.
🤝 Paid partnership · 🤖 Made with AI
POV: it's 3am in Miami and you're the guy feeding a live octopus to mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Menu so far: sushi, caviar, pasta. Tonight the food fought back.
Trick for faces that don't look plastic: describe the skin, not the beauty. Pores, baby hairs, water drops under the flash.
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a small wet white plate with no ice on it and one live reddish-purple octopus, about the size of a hand, sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails stretch out in the water far behind them, so it is obvious they are mermaids. Tail fins only ever appear far behind them near the left or right edge of the frame; a tail fin never appears behind or above anyone's head.
Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real.
Three clearly different women, not twins, new faces:
LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail.
CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail.
RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
The octopus: there is exactly one octopus in the whole video; it never duplicates or splits. It moves slowly and softly like a real octopus, it never jumps. It stays whole and alive the entire video: its body is smooth and evenly reddish-purple all over at every moment, with no white spots, no pale patches and no missing pieces. Nothing white ever sticks to it.
Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible.
Important: nobody laughs at any point. All three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the octopus and at the camera, shift their weight on the edge, react to each other with real, different, asynchronous movements.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the plate with the live octopus a little closer to them and pulls back out of the frame before 2 seconds. The octopus slowly moves its tentacles on the wet plate. The CENTER one leans in to look at it and says slowly: "Is it alive?" The LEFT one wrinkles her nose, the RIGHT one leans closer, curious.
2-5s: The CENTER one leans her face low over the plate, very close to the octopus. The octopus lifts its tentacles, grabs onto her face and pulls itself up onto her mouth, its round body covering her giant lips, its tentacles spreading across her cheeks and chin. Her eyes go wide, she grabs the octopus with both hands. The LEFT one jerks back, the RIGHT one covers her own mouth with her hand, both watching.
5-8s: The CENTER one pulls the octopus away from her face with both hands; it stretches, holding on by suction, then comes off with a loud wet POP. She holds the whole, unharmed octopus up in the air in front of her, wriggling, its body smooth and evenly colored. Only now her lips change: they are visibly even bigger and puffier than before, glossy, slightly redder, with a faint ring of small round suction marks around her mouth. The other two still have their original lips and no marks.
8-11s: The CENTER one, still holding the octopus up in one hand, touches her new bigger lips with the fingertips of her other hand, eyes wide, then looks straight into the lens and says slowly, impressed: "Oh... I like it." The LEFT and RIGHT ones stare at her lips, then at each other, with open envy.
11-15s: The LEFT one takes the whole octopus out of the CENTER one's hand and presses it onto her own lips with both hands, holding it there, eyes open, looking at the camera over it. The RIGHT one reaches over and taps the LEFT one's shoulder impatiently and says slowly: "My turn." The CENTER one keeps touching her lips, pleased.
Sound: pool filter hum, water splashes, soft wet sounds of tentacles, one loud wet suction pop, lazy breathy voices, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.
Setup: makeugc → Seedance 2.5 → paste the prompt → 15s, 9:16, sound on. You can start for $1 here 👇 makeugc.ai/?ref=devgetsit
Using your own footage as a character reference makes these scenes feel like your personal meme universe.
POV: it's 3am in Miami and you're the guy feeding a live octopus to mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Menu so far: sushi, caviar, pasta. Tonight the food fought back.
Trick for faces that don't look plastic: describe the skin, not the beauty. Pores, baby hairs, water drops under the flash.
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a small wet white plate with no ice on it and one live reddish-purple octopus, about the size of a hand, sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long lashes, long almond acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails stretch out in the water far behind them, so it is obvious they are mermaids. Tail fins only ever appear far behind them near the left or right edge of the frame; a tail fin never appears behind or above anyone's head.
Realism: their faces look like real women filmed on a phone, not CGI, not dolls, not airbrushed. Real human skin with visible pores, fine baby hairs, tiny natural imperfections, natural skin sheen and water droplets under the harsh flash, light everyday makeup. Only the lips are exaggerated; everything else about the faces is natural and real.
Three clearly different women, not twins, new faces:
LEFT: tanned Latina with long dark-brown wet curly hair, small gold hoop earrings, nude-caramel glossy lips, emerald tail.
CENTER: light-tanned girl with platinum blonde hair slicked back wet into a high ponytail, soft pink glossy lips, pearl-white tail.
RIGHT: East Asian girl with a sleek wet black bob, rose-mauve glossy lips, deep blue tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
The octopus: there is exactly one octopus in the whole video; it never duplicates or splits. It moves slowly and softly like a real octopus, it never jumps. It stays whole and alive the entire video: its body is smooth and evenly reddish-purple all over at every moment, with no white spots, no pale patches and no missing pieces. Nothing white ever sticks to it.
Voices: they speak slowly with lazy, breathy voices, barely moving their giant stiff lips, teeth not visible.
Important: nobody laughs at any point. All three are alive and moving every second, eyes open: no one ever freezes, closes her eyes or stares blankly while another acts. They glance at each other, at the octopus and at the camera, shift their weight on the edge, react to each other with real, different, asynchronous movements.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand pushes the plate with the live octopus a little closer to them and pulls back out of the frame before 2 seconds. The octopus slowly moves its tentacles on the wet plate. The CENTER one leans in to look at it and says slowly: "Is it alive?" The LEFT one wrinkles her nose, the RIGHT one leans closer, curious.
2-5s: The CENTER one leans her face low over the plate, very close to the octopus. The octopus lifts its tentacles, grabs onto her face and pulls itself up onto her mouth, its round body covering her giant lips, its tentacles spreading across her cheeks and chin. Her eyes go wide, she grabs the octopus with both hands. The LEFT one jerks back, the RIGHT one covers her own mouth with her hand, both watching.
5-8s: The CENTER one pulls the octopus away from her face with both hands; it stretches, holding on by suction, then comes off with a loud wet POP. She holds the whole, unharmed octopus up in the air in front of her, wriggling, its body smooth and evenly colored. Only now her lips change: they are visibly even bigger and puffier than before, glossy, slightly redder, with a faint ring of small round suction marks around her mouth. The other two still have their original lips and no marks.
8-11s: The CENTER one, still holding the octopus up in one hand, touches her new bigger lips with the fingertips of her other hand, eyes wide, then looks straight into the lens and says slowly, impressed: "Oh... I like it." The LEFT and RIGHT ones stare at her lips, then at each other, with open envy.
11-15s: The LEFT one takes the whole octopus out of the CENTER one's hand and presses it onto her own lips with both hands, holding it there, eyes open, looking at the camera over it. The RIGHT one reaches over and taps the LEFT one's shoulder impatiently and says slowly: "My turn." The CENTER one keeps touching her lips, pleased.
Sound: pool filter hum, water splashes, soft wet sounds of tentacles, one loud wet suction pop, lazy breathy voices, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.
🤝 Paid partnership · 🤖 Made with AI
POV: it's 3am in Miami and you're the guy feeding spaghetti to mermaids
Tested Seedance 2.5 on @makeugc. Costs $1 to try it yourself, setup in the replies 👇
Menu so far: sushi, caviar, pasta. Taking suggestions for what they get next.
Lips this stiff are the best lip sync hack I know. The model can't get a mouth wrong if it barely moves.
Prompt:
Amateur vertical iPhone video, 9:16, filmed at 2am at a Miami hotel pool with the phone's harsh built-in flash, shaky handheld, grainy, slight motion blur, auto-exposure flicker, candid real home video look, not cinematic, no music. The man filming is kneeling on the pool edge, camera low, head-on and centered, about one meter from their faces, wide enough that all three mermaids are fully in the frame side by side the whole time; the camera never moves to a side angle and never crops anyone out. Layout locked for the whole video: the three mermaids are in the water right in front of him, leaning on the same pool edge side by side; a big low flat white plate piled high with spaghetti in red tomato sauce sits on the edge right in the center, directly in front of the CENTER mermaid; behind them the dark pool water, the far side of the pool, palm trees and dim hotel lights.
The creatures: three real mermaids leaning on the pool edge with their forearms. All three are beautiful glamorous Miami women with hugely overfilled, giant, glossy duck lips, so swollen and stiff they can barely open their mouths, clearly visible from the very first frame, long fake lashes, heavy contour makeup, long stiletto acrylic nails. Each wears a seashell bikini top, a little cleavage visible just above the pool edge. Their shimmering fish tails are clearly visible in the water right behind them, and their big tail fins flick up out of the water from time to time, so it is obvious they are mermaids. Three clearly different women, not twins:
LEFT: honey blonde with wet beach waves, bronzed skin, peach glossy lips, coral tail.
CENTER: dark-skinned beauty with long sleek straight black hair, plum glossy lips, violet tail, calm and bored.
RIGHT: fair-skinned girl with long straight strawberry-red hair and light freckles, cherry-red glossy lips, silver tail.
The man's hand: the only male hand in the video is the man's own hand from the camera side: a big tanned masculine hand with hairy wrist, thick fingers and short nails. Each mermaid has only her own two hands; no extra hands appear.
Important: they speak slowly, slurred and muffled, barely moving their giant lips, as if their mouths can't open. Nobody laughs at any point. All three are alive and moving every second: no one ever freezes or stares blankly while another acts. They glance at each other, at the food and at the camera, shift their weight on the edge, flick their tails, react to each other with real, different, asynchronous movements, like real greedy animals around food.
0-2s: The flash hits all three faces at once, all three in frame, giant lips first thing you see. The man's hand reaches in over the spaghetti plate and sprinkles a big pinch of freshly grated parmesan from his fingers, white cheese snowing down onto the red sauce. The CENTER one says slowly through barely moving lips, muffled: "Feed us." The LEFT and RIGHT ones lean toward the plate, and a coral tail fin and a silver tail fin slap the water behind them.
2-5s: The man's hand pulls back out of the frame. The LEFT one pinches the end of a spaghetti strand with her long nails and tries to slurp it, but her swollen stiff lips can't suck it in, the noodle just slides around on her lips, red sauce smearing over her lips and chin. She mumbles, muffled: "It won't go in." At the same time the RIGHT one puts the other end of a spaghetti strand to her lips and tries to slurp too, sauce on her chin. The CENTER one watches them with a bored face.
5-9s: It is the same single long spaghetti strand: the LEFT and RIGHT ones both slowly slurp it from opposite ends, the strand rises off the plate and stretches tight in the air right in front of the CENTER one's face. Slurping, the LEFT and RIGHT ones lean forward and inward over the plate, their faces moving toward each other right in front of the CENTER one's face, their giant lips pushed forward, their eyes widening as they realize they are about to meet. The CENTER one looks down at the strand hanging right in front of her nose, unimpressed, her violet tail swishing behind her.
9-12s: The CENTER one takes one huge breath and sucks in with her giant lips like a vacuum cleaner: the whole pile of spaghetti flies off the plate straight into her mouth in one long slurping rush, sauce splattering, and the very last noodle sucked in is the shared strand, which zips out of the LEFT and RIGHT ones' lips and disappears into the CENTER one's mouth. The plate is left empty and clean.
12-15s: The LEFT and RIGHT ones stay leaning forward with their giant lips still pushed out into empty air, sauce on their chins, blinking, then slowly turn and stare at the CENTER one. The CENTER one, cheeks full, chews calmly, wipes the corner of her lips with one long nail, looks straight into the lens and says slowly, muffled: "Next." Behind them a tail fin slaps the water.
Sound: pool filter hum, water splashes, wet slurping, one long loud vacuum-like slurp, muffled slurred voices, tail slaps, the man's quiet stunned breathing. No laughter. Faces stay sharp and lit by the flash the whole time.