Ezequiel Pini (Six N. Five) (@sixnfive) header
Ezequiel Pini (Six N. Five) (@sixnfive) profile picture

Digital and Physical explorations art studio.

Joined March 2017
Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)Photo by Ezequiel Pini (Six N. Five) (@sixnfive)
Skyward (2025) @publicartad Abu Dhabi A conversation of a 10.5 ton Local stone, and a choreography of stars… Matter and Light
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The Remaining View is a simple idea, with the intention that the blind doesn’t simply cover the landscape, but that the landscape reorganizes itself around what is still visible. The tree bends, the sun moves, and time passes. Instead of hiding behind the horizon, the sun becomes the moon, rolling through the grass. It’s still a piece in evolution, and I’m continuing to push the technology behind it, but I really liked the simplicity of the idea and couldn’t resist sharing it already.
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Flecha began with a simple idea: can a stone become a direction? A physical fragment of matter born from the studio, composed by a mixture of small stones, some pieces of the old studio wall, concrete, and electronics, becomes the geological interface. As it turns, the landscape reacts. There is something I like in this relationship an object you can touch and control, guiding something weightless and constantly changing, with a visual output out of human control. Different variations, different landscapes, the same stone. Flecha, 2026.
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เวลามองขึ้นไปบนฟ้า ใครเป็นงี้บ้าง?
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The Remaining View is a simple idea, with the intention that the blind doesn’t simply cover the landscape, but that the landscape reorganizes itself around what is still visible. The tree bends, the sun moves, and time passes. Instead of hiding behind the horizon, the sun becomes the moon, rolling through the grass. It’s still a piece in evolution, and I’m continuing to push the technology behind it, but I really liked the simplicity of the idea and couldn’t resist sharing it already.
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I’ve been thinking a lot about what happens when digital work starts asking for a physical presence. Earth and Signal brought together some of the works that came out of that transition — stone, light, movement, screens, interaction. Seeing them all in the same space made something click for me.
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Increíbles obras de @sixnfive un gran placer haber aportado mi granito de arena.
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Archipelago, test nº21
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Archipelago, test nº21
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Holding the Horizon
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A living field of digital flowers responding to the presence of physical matter. Umbral (2025)
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Carving the next horizon.
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NO DOY MÁS
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Fragments from when our cosmos aligned in Abu Dhabi. While the stars of Skyward (@sixnfive) slowly ascended from the ground, Wind of Change (@StudioDrift ) was shaping the night sky with light above. Two works, created independently in different mediums and at different scales, unexpectedly aligning their choreographies of light across the Abu Dhabi sky during Manar Abu Dhabi (@publicartabudhabi) Slide 4 and 10 shot by @StudioDrift and Xinix.films
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Fragments from when our cosmos aligned in Abu Dhabi. While the stars of Skyward (@sixnfive) slowly ascended from the ground, Wind of Change (@StudioDrift ) was shaping the night sky with light above. Two works, created independently in different mediums and at different scales, unexpectedly aligning their choreographies of light across the Abu Dhabi sky during Manar Abu Dhabi (@publicartabudhabi) Slide 4 and 10 shot by @StudioDrift and Xinix.films
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3D interiors by Ezequiel Pini (@sixnfive)
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Error Chair (2019)
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Artist show your most popular work!
Artist show your most popular work!
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