Digital and Physical explorations art studio.
Joined March 2017
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Ezequiel Pini (Six N. Five) retweeted
The Remaining View is a simple idea, with the intention that the blind doesn’t simply cover the landscape, but that the landscape reorganizes itself around what is still visible. The tree bends, the sun moves, and time passes. Instead of hiding behind the horizon, the sun becomes the moon, rolling through the grass.
It’s still a piece in evolution, and I’m continuing to push the technology behind it, but I really liked the simplicity of the idea and couldn’t resist sharing it already.
Ezequiel Pini (Six N. Five) retweeted
Fragments from when our cosmos aligned in Abu Dhabi.
While the stars of Skyward (@sixnfive) slowly ascended from the ground, Wind of Change (@StudioDrift ) was shaping the night sky with light above.
Two works, created independently in different mediums and at different scales, unexpectedly aligning their choreographies of light across the Abu Dhabi sky during Manar Abu Dhabi (@publicartabudhabi)
Slide 4 and 10 shot by @StudioDrift and Xinix.films
Ezequiel Pini (Six N. Five) retweeted
Happy to announce the sale of “Quiet Balance” by @ThankYouX to a major collection that includes works by Pablo Picasso, Damien Hirst, Maurizio Cattelan, and other globally recognized artists.
What defines ThankYouX’s practice is its ability to operate across systems: painting and code, stillness and motion, physical and digital space. It speaks to both traditional and digitally native audiences, bridging them without compromise.
In many ways, it embodies exactly what @ArtBasel Hong Kong’s Zero 10 section is pushing forward: breaking down boundaries and bringing together two worlds that are no longer parallel, but increasingly one.
Ezequiel Pini (Six N. Five) retweeted
Together with @someform.studio we had the pleasure of exhibiting Artificial Spaces at the latest edition of @noorriyadhfestival last November in Riyadh.
A new iteration of this contemplative installation where physical matter and digital light begin to interact as a single system.
At its center, a 25 kg polished marble sphere acts as a small planet that can be rotated and pushed to influence the creation. Its axis slowly shifts while the surrounding space reacts in real time, generating unique environments of light and movement.
Each space is generated live through CGI. Each one appears once, then disappears forever. Born from the beautiful randomness of a machine, fed with 3D models of architectural elements as columns, walls, furniture, objects, and programmed with care to allow the system to decide how the space is formed.
Ezequiel Pini (Six N. Five) retweeted
Skyward,
In Jubail Island, Abu Dhabi
as seen as 📷Stephane Aït Ouarab
Ezequiel Pini (Six N. Five) retweeted
New generations are reshaping what it means to collect and experience art.
Definitely worth the read/watch.
So cool to see the @sixnfive sculpture we presented in Miami in the spotlight and great words from @eli_schein too.
Link here:
artbasel.com/stories/decodin…
Ezequiel Pini (Six N. Five) retweeted
Digital creations inspired by the beauty of nature.
Following the background art created for @windows 11 last year, we had the opportunity to collaborate again with @microsoft, this time reinterpreting the iconic image for a new series. Next is my selection from that process.
Ezequiel Pini (Six N. Five) retweeted
New Life (2025) 1:00min shortfilm
Is a reminder that endings and beginnings are the same. From fracture comes growth. From loss, creation. Every form holds the seed of another.
This full CGI piece is not about telling a story, but about witnessing a cycle, the way nature, even in a digital world, continues to transform itself into what it has never been before.
Ezequiel Pini (Six N. Five) retweeted
After months of working on this project, the long days, the unexpected hiccups, the constant race against time, seeing “Skyward” come to life last night was honestly one of those moments that just stay with you.
It’s a monumental piece by @sixnfive , commissioned by the public government of Abu Dhabi for Manar Art @publicartad , but once you see it out there in the desert… it becomes something else entirely.
Honestly can’t stop admiring how, as an artist, he pushes the boundaries of what’s possible every single time.
It looks like a kind of magical portal, standing quietly in the middle of the sand. There’s this beautiful contrast between the physical world, the earth, the stone, all these elements that carry thousands of years of history and the digital side of the piece, with its delicate, floating constellations. Somehow the two speak to each other, and you feel caught right in the middle of that conversation.
It’s the kind of place that makes you stop for a second, breathe a little deeper, and let your mind wander.
Watching people walk toward the installation, fall silent, get lost in their own thoughts, it was incredibly moving.
You could almost watch them start to dream.
It’s moments like this that remind me why I’ll never stop believing in the power of digital art and supporting this entire movement.
