Jonathon aka Liyability

GO GOATED — TheBoyDilly (#8 creator), established for 5+ years. MEGA RED VS BLUE — RVB (#7 creator), established for years. Murder Mystery — Good Gamers (#5 creator), established studio. The Pit — 6+ year-old hit, acquired by Gaijin. 1V1 WITH EVERY GUN — Hive (#2 creator), established studio. Fight The Brainrot — Viral brainrot trend. Star Wars Droid Tycoon — FOAD (#10 creator), Epic partnership + early IP access. PILLARS — Hive (#2 creator), months of paid Sponsored Row advertising (~$110K–$175K estimated in May–June alone). GO UP FOR BRAINROTS — Ferins (#3 creator), massive existing audience. Bed Wars — Good Gamers (#5 creator), established studio. I want to make it clear that these are genuinely great, well-made games. Many of these creators built their success entirely on their own, long before receiving any special support, and they absolutely deserve recognition for that. But my issue is with Discover itself. Roblox is constantly evolving. New trends, new games, and new creators regularly break through. Meanwhile, Fortnite’s top creators remain largely the same year after year. And when newer creators do break through, it often seems to involve significant promotion, established connections, or opportunities that aren’t equally accessible to everyone. Having 4 games released in the last 6 months isn’t the same as having 4 new creators break through. Discover doesn’t seem to give upcoming creators the same opportunities to become successful.

The REAL reason people hate AI: they feel threatened and are scared that they don’t know where they will fit in this new world. Like many of us, they have attached their identity and worth to their skill. There is also cognitive dissonance. To watch something you spent years mastering replicated by a robot in seconds. All to say is the AI debate is simply a struggle of human emotion. I am certain that if these same people truly invested in it, they would find that their creativity would expand.

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Arcade Games In Fortnite!? Yupp! 27 Arcade Games, 17 solo, 10 duo! All playable! Aswell as carneval games + more! #UEFN #FNCreate Mapcode: 2689-9214-2321

The main problem with vibe-coded games isn't bad code or even AI art. It's that you can generate years of implementation in days, but not years of playtesting, iteration, and design judgment. A game can be finished in a weekend. That doesn't mean it's been designed.

Actually dodged a bullet.

When I was writing Unreal Engine 1, my time was divided as follows: - Around 30% went to seriously deep coding on hard problems: assembly language texture mappers, C++ BSP trees, data persistence, object oriented systems design, and networking. - Around 70% was just typing and refactoring large bodies of code needed for a complete engine feature set. This was not hard, and while I was doing it my mind was mostly on the deeper coding topics, thinking and planning for what's next. It didn't feel much different from vibe coding today, except that it was just me typing code on an IBM Model M keyboard rather than prompting it and reviewing the results. So, it has always seemed perfectly logical that we would rely on AI for that 70%, once the AI could do it with a similar quality standard as we could, which has never been perfection. It came as no surprise that, after a few years of AI model evolution, it was able to take the reigns on that 70% and free up programmers' time for more valuable tasks. What's more of a surprise is the emergence of AI as a sort of insta-Carmack able to solve hard technical problems quite cleverly and often cleanly, and that it's able to reason about and work in complex 3D scenes both by operating the tools and by directly understanding the raw data files. I abandoned assembly language in 1998 when out-of-order CPUs made much simpler C/C++ code faster, and never I missed it. If prompting through architectural documents, concept art, and design plans can transcend typing code and tweaking vertices, that will enable developers to spend their time on higher-level, higher value technical and creative tasks. What matters is the end product, whether it's a game or an engine. Anything developers can do to try out more ideas and make better software and games faster is a win for everyone.

Introducing : Skyline 2077 & Bomb Defuse Revamp to BALLISTIC EVO!!! - Skyline 2077 my reimagination of the OG Skyline 10 - Bomb Defuse got a Competitive Overhaul - New Leaderborders & other small fixes UP Next : Better Rewards & Score Streaks

ANNOUNCEMENT 📢 Season 2 was meant to be a fresh start, and for a lot of you it hasn't felt like one. We sped up progression on deliberately and tried to balance the game better, as set out in the patch notes, but it was the wrong call. Some players are reaching end game gear like Tier 4 armour and MBTs within days, so the wipe never really landed. Some things are clearly out of balance and we'll fix them. Others have the community split, so we want to see how those play out first. We won't be doing a knee jerk reset this weekend, as that would be unfair on everyone already enjoying the climb. Instead, we're looking at significantly bringing forward Season 3 and some of its content, so you get a proper fresh start. More details in our dev vlog next week. This is what Early Access is for. Thanks for playing and for the feedback.