My debut feature 'Borderline' out on various disreputable streaming services! https://nitter.cf/t.co/ipIdwcw6oz
UK, France, Denmark
Joined May 2009
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Marco Sandeman retweeted
The interior of this small rural church is one of Britain’s most remarkable Victorian artistic treasures.
In the 1980s, the church was deemed structurally unsafe and this exceptionally rare and beautiful interior was almost lost to demolition.
1/10
theguardian.com/film/2025/oc… Wow, what a review - go, @rupert_russell !!
Marco Sandeman retweeted
To bring the cavalry charges of War and Peace and Waterloo to life, Mosfilm studio established its own Red Army cavalry brigade, overseen by a cavalry general who’d led his horsemen all the way across the Eastern Front to the Elbe: unherd.com/2025/10/putin-is-…
Fascinating, and awesome that someone is thinking deeply on this level: Can Hollywood Escape an Oligopoly Outcome?, by @RoyPrice open.substack.com/pub/pricep…
Delighted to share that my short film 'Lyden af Andre' / 'The Sound of Others' has been selected for the Odense Film Festival @OdenseFilmFest . Cross fingers for us!
Marco Sandeman retweeted
Come and join the conversation in Salisbury, on May 29. wiltshirecreative.co.uk/even…
Marco Sandeman retweeted
Q: Does it apply to foreign films filmed abroad? If so, we just won’t see those.
Q: Wondering how you calculate the “100% tariff”? 100%*production budget spent overseas? I think that means that most films that need those credits and lower costs just won’t get made. Most will not get made at a higher price in the US.
Q: Does this apply to direct to streaming films? Or are they “tv”?
Q: Does it apply to library film deals?
Q: How do industry specific tariffs interact with country tariffs? Do they stack?
Feels like something a team should think through for a few months.
What might serve this goal and work: create a federal subsidy to compete with other countries and eliminate individual state incentives.
Marco Sandeman retweeted
‘With just a single, frictionless prompt each of us becomes the world-builder of our own private universe.’
Ghiblification is just the start. @louiselton96👇
buff.ly/bjmLUfu
Marco Sandeman retweeted
The Wolf of Wall Street (1929) is today believed to be a lost film. The only part of the movie known to still exist is this brief montage sequence created by Slavko Vorkapić
We've just submitted my new short film 'The Sound of Others' to @odensefilmfest. Cross fingers for us!
Marco Sandeman retweeted
What the Byzantines thought of Britain, according to Macaulay: a horrifying serpent-filled otherworld, where the souls of the Franks were ferried after death
For a stupendous shot, see The Sympathizer Episode 3, and skip to 55:10. Park Chan Wook at his greatest. #cinema #beauty #storytelling
